Ethereal Landscapes
Shimmering white veils drop down from the sky in Reuben Wu’s latest body of work, creating the illusion of barriers, or curtains, between worlds.
Shimmering white veils drop down from the sky in Reuben Wu’s latest body of work, creating the illusion of barriers, or curtains, between worlds.
Chou Ching-Hui’s intricate Animal Farm series comprises large-scale, diorama-like scenarios, holding up a mirror to contemporary society.
As definitions of photography change, Felicity Hammond tracks relationships between data mining, image-making and machine learning.
Anne Mason-Hoerter presents a fresh approach to the food photography genre, by cutting and pasting many pictures together from memories.
The pioneering collective Squidsoup develops responsive, all-encompassing art installations that combine light, sound and new technology.
Diane Hemingway’s dreamy image collection is a deeply personal, bittersweet reflection on how art and nature can help us navigate grief.
Sarah Meyohas is widely known for works that make invisible systems visible. Now, the artist presents an exciting new piece of installation art at Desert X.
Claudio Dell’Osa presents cross-section views of Mediterranean fruits and vegetables: asparagus, chicory, fennel, parsley, peppers and strawberry.
Images by Bevil Templeton-Smith make use of the microscope to document sweeping abstract shapes and colours found in everyday household objects.
Thirza Schaap’s sculptures are constructed with plastic collected on beaches, raising awareness of the urgent pollution crisis through visual juxtapositions.
Carter Baran captures surreal, hazy images that are lit by an eerie glow, making audiences pause and wonder: what’s going to happen next in the story?
The portraits of Han Yang are imbued with deep emotion, drawing inspiration from abstraction, fashion, philosophy, posthumanism and surrealism.
Brazilian photographer Gleeson Paulino, who is a part of this year’s PhotoVogue Festival, discusses what drives his innovation and creativity forwards.
Martin Levêque is deeply influenced by the long history of modernist photography, building crisp, colourful sculptures out of cardboard and metal.
People and landscapes blend into each another in Stephanie O’Connor’s rich body of work, which examines themes of imagination and belonging.
Greg White cites Berenice Abbott as inspiration for the Base Quantities still life series, visualising everything from electricity to mass and length.
The colour blue has long been associated with melancholy and sadness. Heather Evans Smith explores this feeling in a series of photographs.
Nature is the subject of choice for artist Sandra Bartocha, whose images traverse sun-dappled forests and meadows filled with rich plant life.
Nick Prideaux approaches taking pictures in a mindful way, catching fleeting and fragmented scenes as an ongoing thread of mini-vignettes.
