Vacant Shorelines
Marie Dreezen’s The Bluest of Days is a standout photography collection in which sandy beaches, rendered in blue, are floodlit by spectral shapes.
Marie Dreezen’s The Bluest of Days is a standout photography collection in which sandy beaches, rendered in blue, are floodlit by spectral shapes.
How nine photographers have shaped visions of Japan’s post-war architecture, whilst offering new and innovative suggestions for the genre’s future.
Striking underwater pictures feature in a brand new compendium dedicated to contemporary image-makers from across Australia and New Zealand.
Experimenting with analogue cameras to capture dreamlike, sun-dappled pictures of plants, petals and leaves that seem to drift in and out of sharp focus.
Environmental art, photography and sculpture come together in Gjert Rognli’s images, which are inspired by the shifting seasons across northern Norway.
Lotte Ekkel creates interesting crops of buildings and brings details into focus, harnessing natural light as a subject and guide when making pictures in the city.
Brooke DiDonato’s images stretch the boundaries of what is possible, asking us to look at domestic settings, landscapes and everyday objects again.
Ingrid Weyland harnesses scrunched-up paper as a metaphor for humanity’s impact on nature, overlaying forest scenes with twisted print-outs.
Jordan Diomandé shows a masterful command of natural lighting, shooting at golden hour to capture sunlit reflections and dramatic shadows.
The imaginative contemporary photography of Dublin-based Sarah Doyle plays with shapes and colours, to offer up a joyful viewing experience.
Cig Harvey engages all five of our senses, with pictures that bring together bright floral motifs, domestic interiors and figures in the landscape.
Charting one artist’s journey from Florida, all the way to Maine, whilst examining the US landscape, as a site of mythmaking, nostalgia, fracture and longing.
A year in the Sonoran Desert is charted through billions of captured data points, illuminating the beauty and fragility of a well-known landscape.
Lachlan Turczan, one of this year’s Lumen Prize finalists, experiments with natural phenomena in order to shape multisensory installation artwork.
Albarrán Cabrera’s photographs traverse luscious, light-drenched forests and lakes, where sunbeams dapple through tree branches and over the water.
Marine Lanier’s Le Jardin d’Hannibal series is set in one of Europe’s highest botanical gardens, home to a variety of plants from the largest mountains.
Cristina Spagnolo showcases crisp photographic portraits and nature images inspired by the light, detail and form of art from the 1500s and 1600s.
Architecture is Satijn Panyigay’s subject of choice, creating brooding depictions of empty buildings and cinematically-lit homes under construction.
Glowing firefiles illuminate Japan’s woodlands after dark in Kazuaki Koseki’s dazzling body of work, skillfully weaving together ecology and folklore.
