HOME: Cinematic Ecologies
Sarah Perks (HOME, Manchester) delves into the various worlds of Artists’ Film, and the spaces in-between, ahead of a session at Future Now.
Sarah Perks (HOME, Manchester) delves into the various worlds of Artists’ Film, and the spaces in-between, ahead of a session at Future Now.
Yuge Zhou is a Chinese born, Chicago-based artist whose video and installation works explore the complex interactions between humans and their environment.
This summer the Barbican Centre celebrates the history and ingenuity of Science Fiction across the disciplines of art, design, film and literature.
The processes of identity and image production are intertwined in Martine Syms’ practice, who exposes the public’s constant interaction with mass culture.
Fabrica Director Liz Whitehead brings Ipek Duben’s multi-screen film installation THEY/ONLAR to to the Brighton-based gallery after seeing it at SALT, Istanbul.
Elger Esser’s current focus is on the countries of the near East; Morgenland was created during his travels in Lebanon, Egypt and Israel from 2004 to 2015.
Excavating layers of urban developments and ruinous archaeological sites, Maeve Brennan’s The Drift (2017) traces shifting economies in contemporary Lebanon.
Aesthetica Short Film Festival has been selected for Creative England’s 2017 report, CE50, which highlights the top 50 creative businesses in England.
Ruya Foundation’s exhibition at the 57th Venice Biennale displays the work of contemporary Iraqi artists in dialogue with ancient artefacts.
The immersive installation from Sophia Al Maria, EVERYTHING MUST GO, captures the chaotic, almost apocalyptic nature of consumerism.
Strata – the title of Amie Siegel’s newest exhibition at South London Gallery – denotes a series of layers which are embedded within moving-images.
On the occasion of Arte Fiera, MAST Foundation opens Work in Motion: The Video Camera’s Eye on Social and Economic Behaviour.
Two newly commissioned pieces by Patrick Hough and Lawrence Lek are premiered as part of the Jerwood/FVU Awards 2017.
John Akomfrah OBE has been awarded £40,000 courtesy of Artes Mundi for the 2016 film Auto Da Fé, chosen from six socially responsive works.
Japanese artist Tamao Narukawa takes a poetic approach, using metaphors and parables, creating a juxtaposition of humour and seriousness.
Widely regarded as one of the most recognised artists of our time, David Hockney’s continuing cultural relevance is shown in an retrospective opening at Tate.
The Future Remains: Revisiting Revolution from the Calvert 22 Foundation reflects on the nature of social transformation and of writing history itself.
To kick-start Camden Art Centre’s 2017 programme, Joachim Koester takes over three gallery spaces with an immersive installation of film, digital video, photography and audio, spanning a 12 year career.
Francis Alÿs is included in The Ruya Foundation’s National Pavilion of Iraq at the 57th Venice Biennale in May 2017, encompassing the notion of conflict.