Kiss Me Deadly, Paradise Row Gallery, London
Kiss Me Deadly is the title given to a new group exhibition that has recently opened at Paradise Row. The exhibition, organised over two floors, explores the themes and moods of the film noir genre.
Kiss Me Deadly is the title given to a new group exhibition that has recently opened at Paradise Row. The exhibition, organised over two floors, explores the themes and moods of the film noir genre.
Marco Sanges shoots a cinematic world of dreams and drama. Exhibited worldwide, Sange’s clients include Agent Provocateur, Vogue, Sunday Telegraph, Photo, Katalog, Dolce&Gabbana and Eyemazing.
Three new exhibitions have just opened at Margate’s seaside gallery, Turner Contemporary – Carl Andre: Mass and Matter, Rosa Barba: Subject To Constant Change and Turner: Turner’s Perspective.
British-born, Berlin-based artist Tacita Dean presents her new film project JG at the Arcadia University Art Gallery. JG is the sequel to FILM, Dean’s 2011 project for Tate Modern’s Turbine Hall.
9 Intervals is about dialogue. Dialogue between juxtaposing images, presented on two screens playing in tandem across the walls of Mother’s Tankstation Gallery from 16 January.
Estrangement presents four emerging artists whose practices and nationalities choreograph a sly line between identity, economy, politics and video art history. With work by Samuel Williams.
The latest documentary from Marc Isaacs explores universal themes of loss, belonging and the search for home through careful observation of one neighbourhood in North London.
In Scott Graham’s debut feature, a father and daughter coexist in isolation and a relationship marked by complexity.
Bloomberg Space hosts an experiential exhibition, distanced from the streets just beyond its walls. Glacier by Charles Atlas, uses a 360-degree projection to create an immersive environment.
It might be considered to be a curatorial risk to combine the works of William Klein and Daidō Moriyama in two mellifluous exhibitions, as they are both important and vivacious artists of our time.
The exhibition titled Jonas Mekas on display at the Serpentine Gallery, London, brings forth a massive array of Mekas’ work including film stills, photographs, posters, digital prints, and installation.
Besides topical new documentaries, this year’s IFFR Regained programme comprises a rich menu of innovative works using cinema’s history as a main ingredient. From 23 January – 3 February.
Today sees the launch of Caroll/Fletcher’s new exhibition, Orange between orange and Orange by Michael Joaquin Grey. Running until 16 February, this show marks Grey’s first UK show since in 1992.
Nothing to declare? World maps of art since ’89, is the new documentary project scale exhibition devoted to the global processes of change in the art world since 1989 at Akademie der Künste.
For the final instalment of the Canary Wharf Screen, Art on the Underground collaborates with the BFI to screen a season of films showcasing unseen footage, restored film, and newer works.
Arnolfini presents Mikhail Karikis’ new film and sound installation SeaWomen, focussing on a vanishing community of elderly female sea workers living on the North Pacific island of Jeju.
Featuring three large-scale walking sculptures in the landscape and models, drawings and films in the Bothy Gallery, this exhibition at YSP is a timely showcase of James Capper’s career to date.
For those unfamiliar with the New Contemporaries premise, the exhibition contains a small selection of this year’s crop of British art school graduates, picked by a panel of previous New Contemporaries.
This January, the recipients of the Jerwood/Film and Video Umbrella Awards, Ed Atkins and Naheed Raza, premiere their ambitious new commissions at Jerwood Visual Arts, Jerwood Space, London.
