In We Never Dream Alone, works by Sidsel Christensen, Andrew Leventis and Lisa Slominski see the borders between real and unreal, fact and fiction, virtual and visceral, and blurred and explored.

The UK’s premier fair for Modern and contemporary British art opens for its private view. Situated in the Business Design Centre, Islington, the 27th edition of the London Art Fair runs 21-25 January.

Exciting, contemporary and devoid of delineation, Nástio Mosquito defies categorisation and points towards a new culture of art that combines pop, performance, fine art and politics.

Kevin Cooley considers our evolving relationship with technology, nature, and ultimately each other. The underlying conceptual framework of his work is how these forces contend with each other.

FutureEverything is not staging a retrospective, but a platform for a global community to collaboratively reflect on the bleeding edges of art, academia, design and business.

During December 2014, the small fishing town of Kochi in South India’s state of Kerala, was besieged by the international art crowd as the Kochi-Muziris Biennale 2014 (KMB) opened its second edition.

For the fourth year in a row 130 emerging designers from 30 countries will come together in the largest public fashion exhibition of its kind.

In the run up to the 2015 General Election, History Is Now will look at the last 70 years of British history to offer a new way of thinking about how we got to where we are today.

The practice of photographer and film maker Ori Gersht addresses post war trauma by documenting the landscapes that have witnessed it. Don’t Look Back revisits three bodies of work.

Described as a “grotto of visual excess” Julie Verhoeven’s exploration of gender identity past and present is a disturbing explosion of kitsch and womanhood.

This group show curated by Peter J. Amdam brings together artists who accentuate how art operates in an era of new media, and in a world which is both human and non-human at the same time.

Manual Cinema’s Mementos Mori is a feature-length cinematic shadow play that combines overhead projectors, intricate paper puppets, sound effects, a live onstage chamber ensemble, and live actors to discuss digital culture.

For Sun/Screen, Penelope Umbrico used an iPhone to re-photograph images cropped from thousands of sunset images shared online, this process of capturing images directly from the computer screen creates a moiré pattern.

The beginning of the 20th century was an era of new technology, artistic ingenuity and creative entrepreneurship — comparable to today’s world where developments in the field of digital imagery succeed one another rapidly.

Portuguese artists João Maria Gusmão and Pedro Paiva will present a magical, immersive film installation. Their kaleidoscopic world created by 27 16mm films and two camera obscura works, takes viewers on an imaginative journey into science, philosophy and religion.

For Sophie Calle’s first solo exhibition in China, the artist has covered an entire wall with images from her Cash Machine project. The piece first originated in 1988 and was extended 15 years later.

Hauser & Wirth’s gallery on Savile Row is a space that has been transformed in many possible ways, but this time the micro environment created for Pipilotti Rist’s show emerged as an unexpected -nevertheless pleasant- surprise.

For the 12th year, London Short Film Festival returns with an outstanding programme of short films. Running 9 – 18 January, the festival aims to prove that the UK is truly a hotbed of film creativity.

Moving sites in spring 2015, Manchester-based cross art form organisation, Cornerhouse, closes its current space with nine artists, filmmakers and musicians celebrating the iconic venue: Rosa Barba, Niklas Goldbach and more.

Film London has announced Ursula Mayer as winner of the 2014 Jarman Award. The Austrian-born filmmaker was selected from a shortlist of 10 visionary and boundary-crossing visual artists working in the UK. An annual celebration of experimentation, the award recognises artist filmmakers whose creative practice defies conventional classification.