22-23 July. Offering a global perspective on digital and societal changes, these exhibitions document the pivotal transitions of an era.

The 1980s were a turbulent time in Britain; this decade is the focus of The Place is Here, an exhibition set between the South London Gallery and MIMA.

Kurt Tong’s (b. 1977) current exhibition The Queen, The Chairman and I, reflects upon the self as an amalgamation of disparate parts.

Gleaming Lights of the Souls by Yayoi Kusama remains a beautiful part of the Louisiana Museum of Modern Art.

American photographer Emma Elizabeth Tillman (b. 1986) evokes everyday nuances in her debut series Disco Ball Soul (2017).

White Cube’s latest exhibition reveals how there is a vast and raging female presence amongst those associated with the surrealist movement.

States of America (2017) is the the largest overview of North American documentary photography in recent years.  

Huis Marseille, Amsterdam, brings together a collection of Jamie Hawkseworth’s images offering a nuanced and empathetic portrayal of England.

MACK publish stills from Richard Mosse’s Incoming, a film that captures the refugee crisis through thermographic weapons and imaging technology.

Unseen Amsterdam is devoted to identifying, and fostering the talents of emerging and established innovators.

 Into the Light (2017) ultimately dissembles traditional notions of architecture, subverting the ways in which viewers engage with liminal spaces.

The biennial Artists’ Award, hosted by the BALTIC Centre for Contemporary Art is the first worldwide award to be judged solely by artists, and it shows. 

With the weekend in sight, time and space for contemplation is on the horizon. The 5 to See for 14 – 16 July traces the common links in humanity.

A celebration of photography takes place in Shanghai; the fourth edition of PHOTOFAIRS features notable names alongside new talent.

The Time is Now is curated to expand on the MoMA’s, New York, current show Making Space: Women Artists & Post-war Abstraction.

Cerith Wyn Evans’ installation evokes a playful manipulation of space and time through a spectacle of light.

In The Whiteness of the Whale, British photographer Paul Graham examines the intersections between race and social status in America.

This year’s Lyon Biennale questions the meaning of modernity in our ever-shifting world. It forms the second installment of what will become a themed trilogy.

Chrystal Lebas’ Regarding Nature explores the dynamic between human beings and the organic landscape as two interacting spheres of life.

The exhibition considers the subtle differences between regions, highlighting how and why they remain a source of inspiration.