Reminiscent of fashion booths, the layout of the Hepworth’s latest show transports audiences into a labyrinth where the body and clothes are redefined.

Designers from South Africa are looking at new ways to innovate and create awareness about the country’s burgeoning fashion industry.

The location chosen for V&R’s most recent shows, Palais de Tokyo, is Paris’s most experimental art museum, showcasing the trajectory of the brand.

From established to couture brands, Scandinavian designers are gearing traditional ideas of timelessness and practicality towards sustainability.

Georgia O’Keeffe returns to the Brooklyn Museum 90 years following her first solo exhibition at the gallery in 1927, offering new perspectives her legacy.

Open Eye Gallery, Liverpool, delves into the cultural tapestry of North England, highlighting its profound influence on fashion, visual arts, culture and music.

Please Return Polaroid shares a rare insight into the technical processes of shoots: from storyboarding and initial ideas to the finished composition.

Undressed: A Brief History of Underwear tells the story of garment design, considering the practical, personal and sensory roles it plays in protecting and enhancing the body.

Jonathan Anderson considers ways in which the human form has been reconceived by artists and designers from at the Hepworth Wakefield, this Autumn.

The National Gallery of Victoria, Melbourne, explores Viktor&Rolf’s notion of wearable art through a selection of their most iconic works.

Foam, Amsterdam, presents Melanie Banjo’s first major solo exhibition until 7 December, centred around the absurdities within the human experience.

Club 57: Film, Performance, and Art in the East Village, 1978-1983 explores the scene-changing and interdisciplinary life of downtown New York.

Between Art and Fashion: The Collection of Carla Sozzani opens at Galerie Azzedine Alaia, Paris, chosen by the Director of the Musée d’Art Moderne.

A major new exhibition at the V&A seeks to encapsulate a monumental time, both in British culture and internationally: the late 1960’s. You Say You Want a Revolution?

It must now be regarded as a tradition that a British art college education entails a prolonged immersion and exercise in extraordinary interdisciplinary innovation. Leeds College of Art is no different.

Filling all three galleries at the Camden Arts Centre is Nigerian fashion designer’s Duro Olowu’s debut curatorial venture. Making and Unmaking is a collection of beautiful and/or interesting items.

Weaving sustainability with multi-functionality, Mode in Flux presents a vision for fashion’s future within an unstable environmental landscape.

Second Self brings together the work of two emerging photographers, Juno Calypso and Carolina Mizrahi at Arusha Gallery, Edinburgh.

Vogue: A Century of Style at Manchester Art Gallery gives visitors a lens through which to look at the magazine’s British incarnation and the culture it evolved in. On view until 30 October.

Lyndesy Ingram gallery, London, hosts a new show featuring polaroids collected over two decades from behind the scenes of Miles Aldridge’s fashion shoots.