Following their successful launch last year, Block Universe returns 30 May-5 June as London’s first annual festival dedicated to performance art.

For the final talk of the series, Sophie Raikes, Assistant Curator at Henry Moore Institute, discusses ways of exhibiting temporary and site-specific sculpture and installation, referring to the works in the Aesthetica Art Prize Exhibition.

A new public artwork has taken residence in Bristol. Produced by Situations and commissioned by University of Bristol, Hollow invites viewers to see the history of our planet through a microcosm of each of its forests.

Alongside talks, panel discussions and networking opportunities, Future Now will host a series of Portfolio Reviews. These sessions are designed for practitioners working across all media, including painting, photography and sculpture.

The Deste Foundation, which celebrates its 33rd anniversary in 2016, has just presented Urs Fischer – False Friend, an exhibition at Museum of Art and History.

Starting out in 2003 at Bristol Old Vic, Mayfest is Bristol’s annual festival of contemporary theatre. This year the event runs from 12-22 May.

Dr Alistair Payne, Head of the School of Fine Art, The Glasgow School of Art offers a new perspective on the potential of painting in the modern age, highlighting its current interdisciplinary status at the Future Now Symposium later this month.

Group exhibition Through the Headset sees artists Iain Nicholls, Tom Szirtes, SkullMapping and Matteo Zamagni working in the medium of Virtual Reality.

Tate Britain reveals the four artists who have been shortlisted for the Turner Prize 2016. The artists are: Michael Dean, Anthea Hamilton, Helen Marten and Josephine Pryde. The winner will be announced at a ceremony in December.

Ninety-nine years after the Surrealists are playing what would have become “Exquisite corpse by airmail”, Warrior Studios comes to OVADA.

Cornelia Parker has invited 60 artists from a range of disciplines to respond to the theme of ‘found’, reflecting on the Museum’s long-standing history and heritage. Opening on 27 May, this show unites new work with historic objects.

The subject of drugs in art is a longstanding tradition. Jac Leirner’s solo exhibition at White Cube Mason’s Yard takes a simpler approach to dependence.

From the 19-22 May, Photo London will be celebrating the ever popular medium of photography across the capital by bringing some of the world’s leading practitioners, curators, exhibitors and dealers together with the public.

Peter Vahlefeld is a Berlin-based multi-media artist. His work combines analog and digital painting on canvas and explores the currency of advertisements.

Agnieszka Prendota, Creative Director at Arusha Gallery is a speaker at Future Now: The Aesthetica Art Prize Symposium 2016, running 26-27 May at York St John University. Prendota’s talk The Symbiotic Relationship Between Public and Private Galleries, takes the form of a panel discussion and will explore the relationship between public and private galleries.

The fifth talk in the series takes place at the Aesthetica Art Prize Exhibition, York St Mary’s, on Thursday 12 May at 12.30pm. This talk, Bridging the Real and Virtual Spheres, is led by Sarah Brown, Curator of Exhibitions at Leeds Art Gallery.

We speak to American artist Michael Boroniec about his ceramic practice as well as the processes and the mutual effects of art on the individual.

The Sainsbury Centre for the Arts features new prints of Henri Cartier-Bresson’s photographs of Paris in the 1950s and 1960s.

Filipa César’s The Solid Image – Notes on the ‘Luta ca caba inda’, belongs to the intriguing Red Africa season that exhibited at Calvert 22, London.

As an artist who looks into the craftsmanship of the past, Ai Weiwei’s first Greek exhibition sees him work with the archaeological collections of the Museum of Cycladic Art in Athens.