Unprecedented in scope & scale, SFMoMA’s major retrospective of Walker Evans views his work through the lens of the American vernacular.

The Mirroring Life retrospective marshals a large number of black & white prints, colour photographs & historical documents by André Kertész.

Originally on display at Victoria and Albert Museum’s Simon Sainsbury Gallery, While We Wait comes to Concrete, a multidisciplinary public space.

Building upon an established creative legacy, the year ahead at YSP is set to feature ambitious interventions in the park’s historic landscape.

London-based aerial photographer Jason Hawkes captures aspects of human living from alternative perspectives. Clients include Apple, Nike and Rolex.

Tomás Saraceno creates a site-specific sculpture for Baltimore Museum of Art. It comprises clusters of iridescent modules held in place by an intricate web.

6-8 October. This week’s selection comprises world-renowned galleries, exhibitions and events with the larger goal of connection and collaboration.

Amongst the dizzying diversity of contemporary art on view, the greater themes pulsing through this year’s Frieze London touch upon global politics.

James Freeman Gallery’s, London, new exhibition Nocturne features the work of Lucy Glendinning, Simone Pellegrini and AAP Artist Suzanne Moxhay.

As one of America’s most loved living artists, Jenny Holzer’s practice circles around language in order to question systems of power and authority in society.

Marian Goodman Gallery host simultaneous exhibitions in London and Paris of the major ongoing projects of Japanese artist Hiroshi Sugimoto.

Future Shock examines our decisive moment in history and looks to the challenges and possibilities of the future through the work of 10 artists.

Mesonya/ is Katinka Bock’s exhibition of new sculptures made for Siobhan Davies Studios. This is the first of three Traces Commission projects.

Taryn Simon recreates the centrepieces present at treaty and contract signings in Paperwork and the Will of Capital – part of Biennale de l’image.

A new anthology, edited by Fiona Rogers and Max Houghton, champions international female photographers and offers unforeseen points of view.

The complex military and political history of the 18th century Blenheim Palace both inspires and complements Jenny Holzer’s new works.

Emmanuelle Moureaux’s I am here has won the 2017 Aesthetica Art Prize People’s Choice Award, an installation crafted from 300 colour cut-outs.

British-Thai Tuck Muntarbhorn is an artist, curator and contemporary art collector. We speak with him about how his approach to life underpins his art practice.

Slant Rhymes is a conversation between two creatives: Magnum photographer Alex Webb and poet and photographer Rebecca Norris Webb.

Tate Modern’s signature series of site-specific installations in the vast former industrial space of the Turbine Hall continues with SUPERFLEX.