Reality in Context
In his series, Fake Holidays, Reiner Riedler traverses the boundaries of place by examining reality within the context of the staged and created.
In his series, Fake Holidays, Reiner Riedler traverses the boundaries of place by examining reality within the context of the staged and created.
A major Cindy Sherman retrospective opens at MoMA, probing gender and identity politics from all angles. The artist is in front of and behind the lens.
The first comprehensive exhibition to examine how UK artists and designers have produced acclaimed works, from post-war to the present day.
Showcasing over 150 works, this major exhibition examines the diversity and complexity of art produced during the tumultuous 1980s, a transformative time for culture and society.
Inviting a close examination of artworks based on commonplace objects and situations, Lifelike is an international, multigenerational group exhibition.
Conversations: Photography from the Bank of America Collection is now on show at the Irish Museum of Modern Art.
We Have A Body is a comprehensive solo exhibition by Mette Winckelmann. Winckelmann initiates a dialogue with Den Frie Centre for Contemporary Art’s architecture and history.
United Enemies brings with it the spirit of Arte Inglese Oggi – a 1976 British Council show featuring the work of many of the artists included – but concentrates on the complex nature of British sculpture in the 1960s and 1970s.
This year the arts have been subject to a double squeeze – big falls in business contributions to the arts coupled with the much documented cuts to funding from the public sector.
Dislocated Flesh features the work of Julien Ottavi and Jenny Pickett. This new body of work stems from their long term collaboration exploring perception, memory and architecture.
Mark Handforth’s (b. 1969) Rolling Stop opened at the Museum of Contemporary Art in North Miami, for Art Basel Miami Beach. Curated by MOCA Executive Director Bonnie Clearwater.
The main room of South London Gallery is entirely taken up by Birnbaum’s Arabesque. Before even entering the room, the flowing piano of Robert Schumann’s composition Arabesque Opus 18 reaches out to draw one into the space.
Taking its place in Chapter’s 2011 roll call directly after Resident, WITH Collective’s über-conceptual Autumn show, Paloma Varga Weisz’s solo outing at the Cardiff gallery is a difficult one to approach.
Since their original publication in 1865, Alice in Wonderland and Through the Looking Glass have had an unprecedented influence on the visual arts.
When Mario Testino announced Glasgow-based Martin Boyce as the winner of this year’s Turner Prize at the Baltic last Monday night, he accepted the award with modesty to the point of bashfulness.
At Aesthetica we encourage creativity and innovation, fostering artists and writers through the Aesthetica Creative Works Competition. This year’s competition saw a fantastic response.
The Bloomberg New Contemporaries has long presented art lovers with an annual snapshot of emerging talent from the next generation of artists in the UK. The first exhibition was held in 1949.
Tel Aviv Museum of Art is that rarest of institutions: an art gallery with a political legacy. The original building was the former home of the first mayor of Tel Aviv, who bequeathed the property in his will.
There are unseen lines that cross the earth, lines that make little concession to land or water but are owed and owing to both, through industry and habitation.
