Bloomberg New Contemporaries opened this week at the ICA for the third year running. Independent of place and democratic to the core, New Contemporaries is open to all.

Taking place across London at Riverside Studios, Ciné lumière, and Prince Charles Cinema, Nordic Film Festival aims to celebrate the best in regional filmmaking, both past and present.

The world is always in need of a good story, and one of the most popular ways to digest stories is via film. In acknowledgement of this, ÉCU searches to uncover talented story tellers.

Later this month, an all-female version of William Shakespeare’s Julius Caesar opens at London’s Donmar Warehouse, under the direction of the acclaimed Phyllida Lloyd (Mamma Mia!).

Produced by performance group, Forced Entertainment, artistic director, Tim Etchells, speaks to Aesthetica about his approach to theatre and his soon to be released book, Vacuum Days.

Considered a protagonist of Arte Povera, an art movement that emerged in Italy during the 1960s, Jannis Kounellis embarked on his career by creating some of the most radical art works of the time.

In his new show at Lisson, Lawrence Weiner focuses on the concept of truncation, a mathematical term referring to the discarding of unnecessary digits, as an inherent meaning and material reality.

Mannequins and prosthetics provide a new way for us to view the human body. The Vivisector investigates this idea through two bodies of work by Cindy Sherman; Sex Pictures and Broken Dolls.

Cutting edge work will be available to both view and purchase tomorrow as The Other Art Fair opens it’s second exhibition this year, following the success of it’s earlier May edition. From 22 November.

When the printing press was invented in the 15th century by Johannes Gutenberg, it was a scandal. The source of the scandal was the replacement of hand-made works with thoughtless reproductions.

Throwing out the provocative question of, “when is your best friend not your best friend?”, Straight is a play that deals with the intriguing topic of friendship and age. From 28 November until 22 December.

Abstract Possible revisits a quintessential 20th century movement that was also to produce the backbone to many more subsequent movements, but has since taken intriguing routes in the 21st century.

It’s been just over a week since ASFF closed, hosting its annual Closing Night and Awards Ceremony at which The Sugar Bowl took Best of Fest and Hollow scooped up the People’s Choice award.

Inside Chanel, is a retrospective website that is dedicated to rediscovering the history of Chanel. Featuring a timeline of Chanel’s development, the site’s latest release is a glamorous short film.

Recently releasing Botanica, a book of stunning photography by Sander Meisner, editor Éanna de Fréine talks to Aesthetica about the ideas and collaborations behind Meisner’s latest works.

This year’s Taylor Wessing Photographic Portrait Prize has been awarded to Jordi Ruiz Cirera. The winning photograph captures a Bolivian woman who was clearly reluctant to sit for the camera.

Taking 200 short films from over 25 different countries, the ASFF is set to launch tomorrow. Aesthetica speaks to the directors and writers of The Sugar Bowl, Shasha Nakhai and Rich Williamson.

Opening on the 14 November at Robin Rice Gallery, Cig Harvey will be launching her exhibition, You Look at me Like an Emergency, based around her best selling photographic book of the same name.

ASFF opens in just three days. The City of York will be alight with 200 short films across 15 different venues. Aesthetica has a quick fire interview with Anya Camilleri, director of ASFF thriller, Perfect.

Located up several flights of carpeted steps in a Dean Street townhouse is Southard Reid. A single room facing out towards the plush bars and restaurants that now populate the heart of Soho.