It can be said that art can serve as a universal language. Lesley Dill applies literal meaning to art as a communicative agent by incorporating various forms of language into her multi-faceted work.
Concerned with observing the world, Kevin Cooley captures a profound and intense mood through his treatment of light, colour and object.
The practice of Abraham Cruzvillegas draws on his experiences of growing up in Mexico city, as he creates sculptures that grow from their environment.
Full of flamboyant personality, Garry Winogrand was famed for his street shots of everybody from businessmen to hippies, animals and celebrities.
A survey of light art from the 1960s to the present day at The Hayward Gallery considers the way in which we think about architectural space.
Michael Eastman has spent time in Havana, Paris, Rome and New Orleans, recording in minute detail the distinctive features of each place.
Photographer Thomas Zanon-Larcher blends aspects of film, performance and storytelling in his images, questioning ideals of beauty propounded by fashion.
A major exhibition at the V&A examines the impact and constant evolution of ever-influential musician, style icon and shape-shifter, David Bowie.
We spend some time with shortlisted artist, Damien O’Mara. The photographer will be exhibiting The Trespasser, which depicts suited men in places that are “off-limits” to people in corporate roles.
Juergen Teller’s Woo! is a showcase of the greatest work from Teller’s longstanding, unwavering career. One of the most recognisable about his work is his ability to portray subjects entirely stripped back.
Joy Division’s bass guitarist Peter Hook is in artist conversation at the MCA on Tuesday 5 February. Reflecting on the band he helped co-found and his new book Unknown Pleasures: Inside Joy Division.
Partners in work and in life, Marquis Montes create enigmatic works that draw on many cultural references. Through dramatic staging and invigorating styling, their work captivates the imagination.
Richard Wentworth presents an exhibition at the Lisson Gallery, London, from 30 January until 9 March. The British sculptor continually questions the way in which we approach the material world.
Bloomberg Space hosts an experiential exhibition, distanced from the streets just beyond its walls. Glacier by Charles Atlas, uses a 360-degree projection to create an immersive environment.
The Ultimate Form is a live action response to Barbara Hepworth’s work. It is a collaboration between choreographer Kenneth Tindall, designer Pam Hogg, and composer Stuart McCallum.
Today, Frieze announced that its Projects programme of specially commissioned works will be realised at Frieze New York from 10 until 13 May and will present over 180 of the world’s leading galleries.
It might be considered to be a curatorial risk to combine the works of William Klein and Daidō Moriyama in two mellifluous exhibitions, as they are both important and vivacious artists of our time.
Aesthetica Art Prize artist Mary Humphrey’s Roma : Transylvania narrates the experiences that she encountered whilst photographing Roma families living on the outskirts of a Transylvanian village.
The London Art Fair ran for five days from 16 January until 20 January. Among this year’s participating galleries were The Fine Art Society, Charlie Smith London, and Union Gallery.
