Artistic duo Dalziel + Scullion explore the natural world in their innovative and immersive practice. A joint commission from Dovecot Studios and an Lanntair, the pair to produce Tumadh: Immersion.
With a title which references the infamous Black Dahlia murder in 1940s Hollywood, Last Seen Entering The Biltmore is a group exhibition which considers the idea of artifice and draws attention to the idea of the theatrical “backstage” as a threshold where transformation takes place.
The Aesthetica Art Prize is an opportunity to advance your profile on the international art scene and is open to all artists worldwide. One & Other highlights the opportunities presented by the 2015 Aesthetica Art Prize awards.
A secret garden in the heart of a city becomes a space for rediscovering and celebrating the joy and freedom of childhood play, in a commission which brings together the talents of artists Morag Myerscough and Luke Morgan.
Inside the Aesthetica Art Prize Anthology, works from exciting new and emerging artists from around the world are displayed with an accompanying biography and artist’s statement.
Bob and Roberta Smith’s Art Party is due to open on 21 August. The feature film, produced with director Tim Newton and Stuart Cameron of Crescent Arts will be accompanied by a UK-wide Art Party hosted by key venues.
Art history is replete with romantic mythologies, few more potent than the artist as obsessive maker, working round the clock in his studio or in the landscape, as was the case with one of modern art’s most famous obsessives, Paul Cezanne, around whom Magnus Quaife’s solo show is framed.
In conjunction with the opening of the Liverpool Biennial this weekend, Liverpool Contemporary Arts Fair launches at World Museum today. The event is Britain’s newest international art fair, showcasing work by artists from over 50 international galleries.
Henri Matisse: The Cut-Outs currently on display on the second floor of the Tate Modern brings together an extensive array of Matisse’s cut-outs from a long list of private and public collections.
During the evening of Friday 27 June and the following Saturday afternoon, the artists of Bow Road Studios in London opened their private working spaces and courtyard to the public.
For the London Design Festival, Jeremy Maxwell Wintrebert has joined forces with Champagne Perrier-Jouët to create a unique glass piece called Human Nature to be installed at the V&A.
Memory Lane explicitly prompts memories as a result of reconstructed history through the means of art. It’s the series of photographs, Tito in War by Milomir Kovačević, that commemorates Tito’s portrait in after-war public spaces.
Votes have been counted for the Aesthetica Art Prize People’s Choice Award, and we are delighted to announce that Sybille Neumeyer is the winner. Her work refers to the endangerment of bees.
Virginia Damtsa is a contemporary art dealer and the Co-Founder of Riflemaker gallery in London. Moving to Paris when she was selected by the Opera National de Paris to train for a career in dance, she studied in Belgium, New York and Cambridge before moving to London.
The Fashion and Textile Museum has recently opened its new exhibition Made in Mexico. Curator and artist Hilary Simon has sought to explore and reveal elements of the narrative of Mexico’s history.
The Aesthetica Art Prize is open for entries, with a new prize of £5,000 for the Main Prize Winner in addition to group exhibition, publication in an anthology of 100 top emerging artists and editorial coverage in the magazine.
The theme for the fifth edition of PhotoIreland Festival is Truth, Fact, Fiction, Lies. Looking at how photography is used for storytelling, the festival presents 27 photographers exhibiting in various venues around the city centre.
Michael Steinpichler was born in Austria but now resides in Costa Rica. Drawing on influences such as Paul Cézanne, Claude Monet and Paul Gauguin, Steinpichler produces vibrant masterpieces, combining a number of subjects, colours and styles.
Peter Bunnell’s 1970 MoMA show Photography Into Sculpture proved a landmark in photographic practice, through its presentation of images arranged in a sculptural manner.
