Scientific Interventions
Man, machine and science: MUDAM Luxembourg presents a reappraisal of the continuing relationship between the arts and science.
Man, machine and science: MUDAM Luxembourg presents a reappraisal of the continuing relationship between the arts and science.
Fondazione Bevilacqua La Masa, Venice, presents an exhibition by Peter Doig in the Palazzetto Tito. The show features new paintings and several intimately scaled works drawing on found sources.
An exhibition of new work by Yto Barrada at Pace, London, delving into her research on Moroccan fossils and dinosaurs, and exploring notions of imprint, trace and the status of archives.
Carolina Redondo looks to her origins in the Chilean Pucón for inspiration in her performative practice. We speak to the artist about her use of the body to explore migration and interculturality.
Tate Modern presents the first retrospective of Agnes Martin’s work since 1994, tracing her development from biomorphic abstraction to her mesmerising grid and striped canvases.
The UK’s largest annual visual art festival combines work from Edinburgh’s most prestigious galleries as well as artist-run spaces, and new commissions from emerging and established artists.
Taking its title from a line in a Robert Frost poem, America Is Hard To See at the Whitney Museum Of American Art considers more than a century of modern American art in its social context.
Australian artist Julian Day creates simple but evocative works encompassing installation, video, sound, text and performance. His piece Requiem was exhibited as part of the Aesthetica Art Prize 2015 showcase at York St Mary’s.
On view in Ikon’s small turret, the Tower Room, is filmmaker and land artist Julie Brook’s Pigment, an eight and a half minute film, shot in a cave in Namibia with three young Himba women.
The latest in Tate Modern’s ongoing evening performance series, BMW Tate Live, sees a gallery transformed into a theatre space for Paulina Olowska’s project The Mother: An Unsavoury Play in Two Acts and an Epilogue.
One of the most enduring fashion icons of all time, Audrey Hepburn has captivated generations with her unique elegance and style. The National Gallery’s current exhibition covers her early film success to her lasting media image.
Images Moving Out Onto Space at Tate St. Ives brings together eight artists, including Bridget Riley and Liliane Lijn, with works of kinetic painting and sculpture spanning 50 years.
Gallery 268, London, presents Matt Gee: Nutri-Artifice, consisting of two bodies of work which resonate in between art and science with a visual language reminiscent of props used in a laboratory.
In a Venetian house in sight of the Giardini della Biennale, Luxembourg & Dayan presents Minjung Kim: The Light, The Shade, The Depth featuring the artist’s paintings from the past 15 years.
British artist Peter Liversidge reflects on the idea of the ‘proposal’ in his conceptually-based practice, using analogue and antiquated technology to both initiate and document his artistic activities. We speak to Liversidge about new show By the Book.
Oscar Niemeyer: The Man Who Built Brasilia will showcase a century of the great architect’s work.
Theories on Forgetting at Gagosian, LA, maps evolutions of cultural symbolism through the work of 18 contemporary artists.
A Yorkshire-wide celebration of the life and work of British sculptor Sir Anthony Caro opens this week.
The Stedelijk Museum, Amsterdam, presents the first European solo exhibition of Indonesian artists’ collective Tromarama. Until 6 September.
