Every so often, something happens on the gallery scene that pushes a fresh perspective into the wider cultural viewfinder. When Friedman Benda recently launched a splashy double show in New York, we all left with the funny feeling that we’d been transported to somewhere new, somewhere that might be sacred, and somewhere that is softly transforming the frontier where art and design co-mingle.
Known for his multi-didactic works that go from staging group therapies to theatre plays, Pedro Reyes is constantly renovating his oeuvre and exploring new ways of involving the audience.
For his first US museum survey outside of California for 40 years, this new exhibition displays Robert Irwin’s work from 1958-1970, a time in which the artist developed dramatically.
The Women in Photography panel at The Photography Show 2016 will bring together Max Houghton, Marcia Michel, Vicki Churchill and Juno Calypso in a discussion about the industry.
Karen Thomas (b.1963) is acclaimed world-wide for her pop-culture figures and loosely dynamic painting style. We speak with the painter about her distinguishable style and recent projects.
Photographer Maroesjka Lavigne’s latest exhibition Land of Nothingness is currently on view at Robert Mann Gallery, New York. Lavigne’s second show with the gallery invites viewers to step into the unforgiving landscape of Namibia.
Coinciding with Manchester’s Year of the Monkey celebrations, the CFCCA launched its 30th anniversary programme in February. We speak to curator Ying Tan about the centre’s commitment to representing Chinese arts in the UK.
BALTIC presents the first solo UK exhibition by Omer Fast, best known for his video works that question the conventions of storytelling, media reportage and historical representation.
Taking place in New York City, from the 3-6 March, The Armory Show represents an essential event in the artistic calendar. The 22nd edition features emerging and established artists, represented by 205 galleries from 36 countries worldwide.
Wellcome Collection has opened the second part of a year-long exploration into human consciousness. States of Mind examines the universal topic of conscious experience. We speak to the curator.
Michael Simpson’s Flat Surface Painting at Spike Island, Bristol, is rooted in a fascination with Venetian and early Flemish painting, questioning the nature of painting itself. We review the show.
American artist Robin Kang (b.1981) threads nuances between technological advances and the history of the textile industry via Jacquard loom handwork and patterned circuitry imagery.
The Whitworth brings Ben Rivers’s most ambitious work to date to Manchester. We speak to Mary Griffiths about Rivers’s film that migrates between the realms of documentary, fantasy and fable.
Hauser & Wirth Somerset are hosting a major solo exhibition of new and recent work by Subodh Gupta, bringing together a sculptures and installations by the New Delhi-based artist. We review the show.
Glasgow International Festival’s seventh edition opens on 8 April 2016. Directed by Sarah McCrory, the 2016 programme is comprised of new works, site-specific commissions and events across the city.
Focused on a series of sculptures from a crucial decade in Alberto Giacometti’s life, this London show provides a deep insight into the development of the Swiss sculptor and painter’s practice.
Whitechapel Gallery’s Electronic Superhighway brings together over 100 works to show the impact of computer and Internet technologies on artists from the mid-1960s to the present day.
Kunsthal Rotterdam’s exhibition Astonish Me!, is a collaboration with Musée de l’Elysée, Lausanne, and includes more than 300 never-before exhibited works, including prints and photomontages.
Dean Melbourne unveils his second solo show in London this February at Gallery 8. Curated by Coates and Scarry, the exhibition showcases Melbourne’s most recent paintings and works on paper.
