Seizing Innovation
The Metropolitan Museum of Art’s costume institute invites viewers to question the fashion world’s accepted opposition of hand versus machine.
The Metropolitan Museum of Art’s costume institute invites viewers to question the fashion world’s accepted opposition of hand versus machine.
A formal background in architecture informs Parisian photographer Jérôme Bryon’s muted urban landscapes in latest series Grand Sud.
Holly Andres transfixes viewers by presenting a concentrated experience of suburbia which urges them to linger within the unsettling narratives.
James Casebere is renowned for a pioneering use of models in his constructed photographs. Architecture populates the otherwise uninhabited images.
Los Angeles-based Jimmy Marble is a director, photographer and designer whose highly-animated work explodes with colourful potential.
With a thematic focus on staged worlds, Clemens Ascher’s photographic series In the Garden is a bright depiction of utopia.
The 31st edition of the fair highlights the increasing responsibility we feel for our surroundings, leading to a revival of craft and zero waste.
Currently based in New York and San Francisco, Russian-born artist Kristina Varaksina creates works which are highly sensitive towards human emotion.
Italian artist Francesca Pasquali creates innovative sculptures from everyday objects, concentrating on the semantics behind the very materials of her work.
Paesaggio is the fourth Massimo Bartolini (1962, Cecina, Tuscany. He lives and works in Cecina) solo show at Massimo De Carlo, in Milan.
The Auckland Art Fair 2016 edition heralds a shift in focus to contemporary art of the wider Pacific region and brings together 40 galleries from New Zealand, Australia, the Pacific, and South America.
Today is the final day of the inaugural Future Now Symposium. Sessions include The Future of Art and Culture, Permanence of Print II and Public and Private Galleries.
Making reference to Foundling Museum’s heritage, Cornelia Parker invites over 50 artists, writers and musicians to respond to the thematic concept of “found”.
Future Now Symposium opens today at York St John University and continues tomorrow, with a two-day programme of talks, panel discussions and portfolio reviews.
Applications close for the RSA Open Exhibition on 1 June, 5PM, with a long-standing history of celebrating the best of contemporary practice.
Amidst the season of Degree Shows, students across the UK are finalising and displaying their works as part of a nationwide collective of talent.
Two days to go until Future Now: The Aesthetica Art Prize Symposium begins. The inaugural event invites audiences to consider contemporary practices in the present day. Here’s our final line-up of sessions for the 2016 programme.
Julia Michalska, Deputy Web Editor at The Art Newspaper, joins Future Now as a panelist in Session 10: The Permanence of Print Part II for a discussion on print in today’s digital world.
Future Now: The Aesthetica Art Prize Symposium is an opportunity for artists and those working in the creative sector to network, discuss best practice and build new collaborations. On Day Two of the event, sessions include the Future of Art and Culture, Talent Development, and Funding and Commissions.
