In the ethereal works of KangHee Kim, windows become invitations to the imagination, portals to sun-drenched locations just beyond our reach.

Digital illustrator Adriana Mora constructs three- dimensional buildings within idyllic waterscapes. Brutalism is juxtaposed with seamless horizons.

Self-portraits by Spanish photographer Fares Micue – often looking skyward – are covered by bright blue balloons and flocks of paper birds.

The Rockies boast an expansive geography of dramatic alpine wilderness and diverse wildlife. Modernism has thrived there for over 100 years.

For over two decades, Hannah Starkey has honed and developed an attentive gaze, representing women with both candour and compassion.

Hayward Gallery presents speculative futures where fantasy is at the forefront, and both creative and cultural liberation are brought into effect.

UK-baed JR CHUO is is a paper cut and spray paint artist whose work explores the notion of façades in society that conceal harsh realities. His work is inspired by the tragic beauty and striking colours found in dying coral. CHUO cuts all of his designs by hand – thousands of individual shapes work in harmony to form large, seamless designs.

The notion of “seeing oneself” has become integral to Sharon Walters, a London-based artist whose work centres around celebrating Black women.

Driven by research, Jasmina Cibic creates multimedia artworks that probe how nations have wielded “soft power” through cultural diplomacy.

This issue captures the current zeitgeist, and is a reminder of how much the past forms part of the present. Dive into our preview of the new issue.

The expansive new exhibition at National Gallery of Victoria, titled Who Are You, considers “portraiture in Australia across time and media.”

Virtual events have increased in popularity by an estimated 35% since 2020. Given this increased appetite for digital, how can AR transform museums?

Ingrid Pollard unpicks complex notions of British identity whilst examining the relationship between human bodies, geology and deep time.

Artist and activist Poulomi Basu’s current exhibition discusses the need to speak up to create a world where women have true freedom and equal choice.

Cornelia Parker is best known for transforming everyday objects to address issues of violence, human rights and environmental disaster.

Serena Dzenis’s pastel-toned images question the idea of making humans multiplanetary, transforming everyday structures into otherworldly scenes.

Andreas Mühe is one of Germany’s best-known artists, recognised for his explorations of sociological, historical and political themes.

Katie Paterson condenses subjects of vast scope and significance into singular artworks – navigating the the geological history of our planet.

Refik Anadol is a pioneer in the aesthetics of machine intelligence, creating immersive data sculptures and paintings to make invisible information visible.

“I love the way an image can escape its original tether and move through time to become something else.” Roy Mehta’s photographs are on view in London.