Mechanisms of Expression

The Royal Academy’s winter 2010 exhibition surveyed the changing role of fashion within the context of wider identity formation.

Filmmaker Series – Q&A with Finalists from the Aesthetica Short Film Competition

To celebrate the launch of the Aesthetica Shorts 2011 DVD, there is a feature on the nature of short films and a discussion of the…

Re-visualising the cinematic: Angela Bulloch at Simon Lee Gallery

Angela Bulloch’s (b. 1966) Discrete Manifold Whatsoever opened early this autumn in London at Simon Lee Gallery, marking her first solo exhibition in the UK…

Art & Architecture – The Wider Debate – Interview with Carson Chan

Looking at the wider definitions of architecture, Marcin Szczelina chats with Carson Chan, co-director of PROGRAM in Berlin. To continue the debate, read the current…

The Democracy of Hunger at Open Show Studio, Athens

By Stephanie Bailey Taking over Sofia Touboura’s independent project space, Open Show Studio, for a one week programme of live poster painting sessions, sound performances…

Who are you? Where are you going?

Review by Jenny Thompson Answering these two questions initially seems easy. However, if we consider our social and emotional histories, we begin to uncover a…

The Manchester Contemporary 2010: Q&A with Director John Dare

For 2010 the second edition of The Manchester Contemporary (28 -31 October) continues to harnesses cutting-edge and critically engaged contemporary art in the North West…

Review: Bloomberg New Contemporaries 2010, A Foundation Liverpool

By Kenn Taylor Bloomberg New Contemporaries is an open-submission showcase for art students and recent graduates, which takes emerging artists and their works out of…

Gallery Update: TOM WESSELMANN at Haunch of Venison, London

TOM WESSELMANN: Works 1958–2004 opened earlier this month in London at Haunch of Venison, marking the most extensive exhibition of his work to date in…

Art & the Owner

In the early 20th century, Duchamp posed the question of ownership in art and yet despite all the ensuing discussions surrounding postmodernism, authorship and everything…

Liverpool Biennial Round-Up 2010

By Kenn Taylor The Liverpool Biennial, now in its sixth incarnation, is the largest festival of contemporary art in the UK. It’s a huge undertaking…

Q&A with Simon Oldfield, Director of the Simon Oldfield Gallery, London

The Simon Oldfield Gallery opened in Covent Garden earlier this year and with an exciting exhibition programme, the gallery offers a platform for emerging artists…

Marina Abramović in London

I know that you’re not supposed to have favourites, but Marina Abramović, really is one of my favourite contemporary artists today, which is a paradox…

Polly Samson

In conversation with Polly Samson.

Martin Eder: The Pale Dance

Martin Eder has an interesting place in the art world. Using watercolour as his medium Eder is something of a maverick.

Contemporary Asian Art

This new compendium provides a critical reference on contemporary Asian art, surveying art created in Asia or by Asian artists from the 1990s onwards.

Hannah Wilke

In this collection, Nancy Princenthal not only presents a comprehensive survey of the Wilke’s oeuvre but also uncovers the rhetoric behind the artist’s work.

Look at the Birdie

Including 14 previously unpublished stories that Vonnegut wrote in the 1950s, Look at the Birdie provides insight into the early development of Vonnegut’s style.

Operation Napoleon

Operation Napoleon is a intriguing novel, bleak and harsh in its description of cold, military narratives.

The Interrogative Mood

The Interrogative Mood is a remarkable book. Com­posed entirely of questions, the premise seems arbitrary yet it is astonishingly insightful.