Maximum Identity Flux
A major Cindy Sherman retrospective opens at MoMA, probing gender and identity politics from all angles. The artist is in front of and behind the lens.
A major Cindy Sherman retrospective opens at MoMA, probing gender and identity politics from all angles. The artist is in front of and behind the lens.
The first comprehensive exhibition to examine how UK artists and designers have produced acclaimed works, from post-war to the present day.
Showcasing over 150 works, this major exhibition examines the diversity and complexity of art produced during the tumultuous 1980s, a transformative time for culture and society.
Inviting a close examination of artworks based on commonplace objects and situations, Lifelike is an international, multigenerational group exhibition.
Conversations: Photography from the Bank of America Collection is now on show at the Irish Museum of Modern Art.
Pointing a camera at a band isn’t really filming a concert; Adam Smith and Marcus Lyall tell us how they made the Chemical Brothers’ Don’t Think seem so real.
It’s hated by artists, ridiculed by label owners and seems to have outworn its welcome by nearly two decades. So why is the label Intelligent Dance Music still being used?
Jes Benstock chats about his latest film, which charts 40 years of sculptor Andrew Logan’s eccentric and kitsch Alternative Miss World beauty Pageant.
Meet the Staves: three sisters from Watford in their early 20s compelling talents. Their second EP, Mexico, features three delicately assembled ballads.
Puppet theatre is often associated with children’s theatre but can the dark honesty offered by inanimate objects connect with an adult audience?
Found Objects have been popular as a medium since Robert Rauschenberg began experimenting with the discarded and lost in the 1950s. The idea of making something out of nothing was intriguing.
Since its inception, The F.E. McWilliam Gallery has gained an impressive reputation for programming important retrospectives of Irish Modernists and innovative thematic exhibitions.
Spanning 25 years of a practice embedded in historical and empirical research, Zarina Bhimji portrays buildings and architectural surfaces as “protagonists” in an unpeopled landscape of violence.
Last Days of the Arctic is a moving and insightful photographic portrait of a disappearing landscape and the Inuit people who inhabit it, by celebrated photojournalist Ragnar Axelsson.
The Sound of Two Songs is Mark Power’s photographic survey of Poland, formed and collected over five years. He made his first visit to Poland as part of a project to capture countries joining the EU.
Alex Dordoy’s work exists at the threshold of completeness and often retains the potential for change, or even destruction. He uses a range of materials including glass and plaster.
There are certain exhibitions whose titles are so ambiguous and nonsensical that even before attending the show you are met with a quiet sense of dread on whether you will get it.
The fifth annual Northern Art Prize, worth £16,500, has been won by Merseyside-based artist Leo Fitzmaurice, it was announced at Leeds Art Gallery.
Vorticist!, Kettle’s Yard’s latest show, draws deserved attention to a sculptor whose career was as important and impressive as it was brutally short.