In this incredibly authoritative volume, Marie-Puck brings back to life her father’s photographs and exhibition chronology.

Over the past decade the number of music documentaries under production has significantly increased, and there doesn’t seem to be a clear cut reason why.

Utopia delves back into the White Australia Policy of 1901, which effectively introduced a form of Apartheid as virulent as anything seen in South Africa.

Adapted from Niall Griffiths’ compelling novel, Kelly + Victor is an intense love story with harrowing overtones.

German artist Isa Genzken’s first major American retrospective at New York’s MoMA will engage the senses and the mind in an all-out immersive exhibition.

The self-obsessed family that employs her as a nanny barely notice that Margarita is their domestic Sun until she is fired and it highlights the ways they orbit her.

The Style of Coworking showcases a staggering array of working spaces, including places long-abandoned and reclaimed by enterprising visionaries who infused them with personality and style.

A new exhibition at Museum of Contemporary Art Krakow explores the socio-political undercurrents of European art since 1945 through to the present day.

Embodying the titles of photographer, collector, diarist and writer, Beard journeyed the path less travelled.

Combining electronics with a punchy rhythm and a splattering of pop, Push/Pull is an endlessly catchy album.

Parreno transforms the Palais de Tokyo, an experience rather than an exhibition, Anywhere, Anywhere, Out Of The World  is greater than the sum of its parts.

A collaboration between singer Susanna Wallumrød and Ensemble neoN, The Forester is a wildly ambitious album that deals with loss, power and loneliness.

In the upper echelons of Romania’s nouveau riche Child’s Pose probes into the caustic relationship between a domineering mother and her adult son.

Tristesse Contemporaine is a trio based in France with no French members, which delivers synth pop that sounds equally at home in the mainstream or underground.

Coming from the same angle as Joy Division, Beastmilk cook up some great songs. Death Reflects Us, in particular, is massive, with huge guitars and perfectly-controlled reverb.

New writing is experiencing a revival and the Soho Theatre is just one of a growing number of venues where emerging writers can make themselves heard.

Renowned for impeccable tailoring with unexpected elements lurking beneath each perfect cut, Paul Smith rose from a single, tiny shop in Nottingham.

“Fortuna” is a concept employed by the acclaimed South African artist William Kentridge to describe his creative process. It implies more than simple chance but less than a fully conceived plan: a kind of engineered luck.

Milius, the first feature-length documentary from director duo Zak Knutson and Joey Figueroa, unearths the real character of John Milius.

In Mister John, Gillen straddles two worlds – the one he wishes to leave behind and an alternative existence occupied by someone he once knew, but no more.