Sean Kelly’s latest group exhibition presents ancient objects alongside contemporary paintings and offers a visual dialogue between old forms and those being investigated today by young painters working with abstraction.

As Exciting As We Can Make It: Ikon in the 1980s, currently on display at Ikon Gallery is a departure from the solo and two-person exhibitions that have become synonymous with Ikon’s programme.

The Zabludowicz Collection – which celebrates its 20th anniversary this year – is presenting four solo exhibitions of sculpture, taking place simultaneously in a former Methodist chapel.

Aesthetica celebrates the work of writers through its Creative Writing Award. We look in depth at short fiction writer Gemma Hawdon and present an extract from her selected story.

Becca Pelly-Fry is Director of Griffin Gallery and Global Artist Outreach Programme Manager for ColArt. Griffin Gallery supports emerging artists through its diverse programme of shows and its annual art prize, Griffin Art Prize.

This summer The Hepworth Wakefield presents the first reinvention of Allan Kaprow’s Yard to be realised in the UK. First installed outside the Martha Jackson Gallery back in 1961, Kaprow’s seminal “Environment”, or “Happening” will be hosted by The Calder, The Hepworth’s newest space.

The House of Illustration is not new. It launched in 2002 as a UK illustrators’ collective, spearheaded by Emma Chichester and indeed Quentin Blake himself, and has since attracted the attention of illustrators Peter Blake, Lauren Child, Sara Fanelli, David Gentleman and Jan Pienkowski.

There is just over one month left to enter the Aesthetica Creative Writing Award. We highlight those longlisted from the latest award, which include Lucienne Kim Flavell author of Borders.

Marian Goodman presents a selection of artists curated by other artists. Bringing together 23 artists of different ages and from various countries, Some Artists’ Artists showcases a multitude of voices.

Kazimir Malevich was one of the great innovators and explorers of European abstraction. He had a clear sense of the trajectory of style and purpose in the visual arts, and in his eyes, art had an exalted destiny in the modern world.

Following its unveiling at the Venice Art Biennale last year, Ron Arad’s Last Train makes its way to London. Ron Arad opens his Camden studio to showcase the large-scale diamond engravings created by a range of artistic collaborations.

In anticipation of the call for entries countdown for the Aesthetica Creative Writing Award on 31 August, we provide an insight into the winning writers selected for the latest prize.

Young British artist Caroline Jane Harris, finalist for the 2013 Aesthetica Art Prize, presents her first solo exhibition at Scream in London. Featuring labour-intensive papercutting technique, Harris’ work is inspired by the natural world.

What has, for the last 16 years, been an ambitious programme of photography exhibitions throughout Madrid has shifted course. This year’s PHotoEspaña presents exclusively Spanish photography, organised with participating venues.

His first exhibition in Argentina, Mendoza Walking showcases two new site-specific works from British artist Richard Long (b. 1945) at the Faena Arts Center. This art centre rose out of the old machine room of an iconic turn of the century mill.

Tatiana Rais is the Director and founding member of Espacio Odeón: Centro Cultural, a non-profit cultural centre in the heart of Bogota. She is one of the 2014 winners of the British Council Young Creative Entrepreneur Award.

London-based artist, Tom Price, heads across the ocean for his first solo exhibition in the USA. Debuting new work at The Nelson-Atkins Museum of Art, his show explores the notions of presence and absence and the idea that these two states are dependent on one another.

It was in 1964 that the first USA exhibition of Maqbool Fida Husain, aka M.F. Husain, was displayed in India House, New York. 50 years on, we now have the opportunity to view his Indian Civilisation series.

Jerwood Makers Open is currently on display at Jerwood Space until 31 August. The initiative recognises emerging artists and offers crucial support in the early stages of their careers. Revital Cohen and Tuur Van Balen speak to Aesthetica about their approach to their project.

Recently, Londoners and visitors might have found themselves sitting on concrete benches, which resemble half open books. Benches not only look like a book, they are fully dressed up by different depictions that resemble and celebrate the literary heritage of London.