Ronchini Gallery’s latest exhibition Home is artist Adeline de Monseignat’s second solo show. Curated by Samia Calbayrac, it offers as its focal point an installation piece constructed from the awnings of the artists’ family home. In conjunction with this architectural centre-piece, mixed media pieces explore the nostalgia of childhood memories.
The end of November saw canvas and canapés meet at the opening night of Diversity: Malaysia Arts. Organised by the Malaysia External Trade Development Corporation, the evening was a cavalcade of speeches and gift-giving intended to showcase the country’s emerging artists.
The Photographers’ Gallery announces Nikolai Bakharev, Zanele Muholi, Viviane Sassen and Mikhael Subotzky & Patrick Waterhouse as the four shortlisted artists for the Deutsche Börse Photography Prize 2015. The annual prize, established by the gallery in 1996, aims to recognise and the work of a living artist who has significantly contributed to photography.
The use of physical theatre by DV8 honours the company’s name. Deviating from any traditional performative categories, it sits between finely tuned body language, as in theatre, and the body as language, as in dance. The company’s method is well suited to John, whose script retells verbatim an interview with the show’s eponymous hero.
Latitude Platform for Brazilian Art Galleries Abroad brings an energetic programme to Art Basel. Over the next few days, Latitude will support 15 Brazilian galleries in presenting leading contemporary art at Art Basel’s 13th Miami Beach edition.
Frederick Wiseman’s National Gallery takes the audience behind the scenes of a London institution and into the heart of a museum inhabited by pieces of Western art from the Middle Ages to the 19th century. National Gallery is the portrait of a place, its way of working and relations with the world.
A Hayward Touring Show with support from the Art Fund, Art from Elsewhere brings together works that depict different realities of profound global change. This Hayward Touring exhibition, curated by David Elliott, runs at the Gallery of Modern Art.
Derek Jarman is one of Britain’s most important and ground-breaking artists of the late 20th century. The Jarman Award celebrates some of the most innovative filmmaking in the UK today. The 10 shortlisted practitioners all demonstrate a spirit of experimentation and inspiration.
The December/ January issue of Aesthetica is available to purchase online and in stores internationally. In Issue 62, we focus on the unconventional. It’s a celebration of practitioners who are experimenting in their field.
Widely known for her elaborate collages that explore and subvert cultural preconceptions of the female body and the feminine. Wangechi Mutu’s practice has been described as engaging in its own unique form of myth-making.
From an early age Stephen J.E. Davies was fascinated by aeroplanes and flight, especially when studying the Airfix artworks by Roy Cross and the paintings of Michael Turner, as well as many comic book illustrations. Inspired by these artists, he began to create work.
At the 2001 Tate Turner Prize, Yorkshire-born artist Martin Creed (b. 1968) presented Work No. 227: The lights going on and off. Consisting of an empty room, the work existed as, quite literally, the lights in the room going on and off every five seconds, cyclically submerging the room in darkness.
Maverick filmmaker Derek Jarman bequeathed his experimental 8mm reels to the producer after his death, but having deteriorated, many of Jarman’s works were in danger of disappearing for good.
BAFTA accredited Aesthetica Short Film Festival showcases international short films, highlighting established and emerging filmmakers across 10 genres.
Representations of pop, advertising, psychology and autobiography through the eyes of photographer Anne Collier.
This book is the first dedicated to Lazar Khidekel’s work and explores the importance of Suprematism in his oeuvre.
The Golden Dream tells the story of three teenagers who jump “The Beast”, the train that illegal immigrants board in a bid to reach the American border.
Brit-caper Hello Carter straddles the lines of standard rom-com fare, with a few belly laughs and a healthy amount of meet-cutes along the way.
Nobody Knows Anything is a much more satisfying listen when in reflective mode, but it maintains a satisfying pace and lyrical intimacy throughout.
