Experimental video and still photography artist, Adam Magyar is now showing for the first time outside of Europe and Asia, with various works including new prints from the artist’s Urban Flow series.
This exhibition bridges the gap between the two figures Ricardo Brey sees within himself: the historical artist working at a critical time in Cuban art; and the artist who lives and works in Flanders.
Mazzoleni Art, London, welcomes a retrospective of Italian artist Agostino Bonalumi’s work. The collection signifies an important step in reinforcing his reputation on the international art scene.
The Kontinent Photography Awards are now open for entries. The competition provides global recognition and new opportunities for artists.
Artists Lisa Wright, Emma Vidal, Penny Byrne, Aaron Smith and Henry Hussey reference historical imagery and objects in a selection of new works, ranging photography to porcelain figurines.
From the glossy veneer of the pages of Vogue to the polished presentation of fine art, Alistair O’Neill and Shelly Verthime galvanise the work of Guy Bourdin within the galleries of Somerset House.
Four artists reconfigure and manipulate the conventional idea of photography using strange new processes and transforming traditional methods in a new group show at Vitrine, London.
Performance group Cirque Eloize mixes acrobatics, juggling and German wheel performances. The company are due to tour the UK with their visually arresting and stylish production, Cirkopolis.
Presenting large-scale works from the 1980s, this exhibition surveys the beginning stages of influential American artist Barbara Kruger. Her black and white images are overlaid with bold captions.
Luc Tuymans returns to David Zwirner for the second time with a new body of work, The Shore. Drawing upon a diverse cross-section of subjects, Tuymans’ work silently glides from subject to subject.
Based in Auckland New Zealand, Kenneth Merrick’s work orbits around drawing, painting and digital/analogue media. Over the past five years his works have featured in a variety of exhibitions.
A sector of Art Basel’s Hong Kong show, this year’s edition of Encounters will present 20 large-scale projects by artists from a wide selection of countries including Indonesia, Germany and the U.S.
Exhibiting women’s fashions from the 1950s, Age of Glamour will open the now extensively refurbished Fashion Galleries at Lotherton Hall. This new, 21st century space features interactive technology.
Andrew Whaley’s play, The Rise and Shine of Comrade Fiasco transports the audience back to Zimbabwe in 1986. The piece focuses on Comrade Fiasco, who claims to be a freedom fighter.
In a career spanning more than 50 years, Mimmo Rotella experimented with a number of different working methods, trying to overcome traditional languages of expression and representation.
Curated by Turner Prize winning artist Jeremy Deller, Love is Enough explores the relationship between two artists whose lives and artistic practices belonged to different centuries.
Recently awarded a Creative Wales Major Award by the Arts Council of Wales, internationally-renowned artist Brendan Stuart Burns presents his first solo show in London with intimate studies in oil.
The story behind the latest sculptures of Daniel Silver at Frith Street Gallery makes the work all the more compelling. It sounds like an old wives’ tale: Silver found ancient marble in a stone yard.
This exhibition at Sims Reed offers an overview of the career of Bridget Riley, one of Britain’s most significant Postwar artists, taking a selection from the artist’s complete catalogue of prints.
