Rodney Graham’s debut exhibition at Lisson Gallery, Milan, features the work of a hypothetical artist lost to history, casting himself as the maker of abstract sculptures and paintings.
Through the manipulation of various materials, Michele Mathison transforms everyday objects into charged artistic declarations.
Turner Contemporary launches its 2016 season with a show by Joachim Koester. This display offers a unique opportunity to see JMW Turner’s watercolours juxtaposed with Koester’s films.
Pace gallery, London, is currently hosting The Calder Prize 2005–2015, an exhibition exploring the enduring impact of sculptor Alexander Calder through the work of six contemporary artists.
The Aesthetica Art Prize is now open for entries: rediscover the work of filmmaker Cecilia Stenbom, who featured in the Video, Installation & Performance strand of the Aesthetica Art Prize 2015 Longlist.
Bridget Smith revisits an early fascination with the architecture and aura of cinema spaces in The Eye Needs A Horizon at Frith Street Gallery, London.
The Walker Art Center and Museum of Contemporary Art Chicago unveil plans for a major survey, entitled Merce Cunningham: Common Time, due to open in February 2017.
Performing for the Camera at Tate Modern will examine the relationship between photography and performance, from the invention of photography in the 19th century to the selfie culture of today.
Albers & the Bauhaus at Stephen Friedman Gallery, London, will focus on the world-changing designs that emerged out of the revisionist school.
Park Seo-Bo receives his first solo show in the UK at White Cube. Widely considered one of the leading figures in contemporary Korean art, he is best known for his Ecriture series of paintings.
In February 2016, Lazarides will celebrate its 10th anniversary with a group exhibition from the gallery’s most celebrated and pioneering artists. Steve Lazarides discusses the gallery’s future.
Galerie Thaddaeus Ropac presents Erwin Wurm’s Lost. The show features Wurm’s latest works, in which materiality played a significant role throughout the different steps of their conception.
Timothy Taylor Gallery hosts a showcase of work by Simon Hantaï – a prominent artist recognised for his invention of the pliage method in 1960.
The Indivisible Present is the first exhibition in KALEIDOSCOPE, a year long programme of unfolding exhibitions at Modern Art Oxford in 2016.
Katrina Palmer’s The Necropolitan Line at the Henry Moore Institute, Leeds, presents writing and sound as sculpture, exploring real and imagined sites, whilst weaving together fact and fiction.
The highlight of the Red Africa season, Things Fall Apart at Calvert 22 presents reflections on African connections to the Soviet Union and related countries. Artist Yevgeniy Fiks discusses the exhibition.
This winter, Pace and Pace/MacGill Gallery presents Personal Work, an intimate collection of images from Irving Penn’s extensive oeuvre.
The world is beautiful explores the NGA’s diverse photography collection, including work by Diane Arbus, Bill Henson and Cindy Sherman. We interview Shaune Lakin, Senior Curator of Photography.
Showing a cross-section of works from Steve McCurry’s career, the show will be an opportunity to view the photographer’s most iconic images.
