Disrupting Viewpoints
Aperture Foundation Portfolio Prize winner Natalie Krick’s practice questions the notion of a fixed identity.
Aperture Foundation Portfolio Prize winner Natalie Krick’s practice questions the notion of a fixed identity.
An exhibition of Axel Hütte’s early work tracks his restrained creative practice and interest in architectural forms, spanning 1978-1995.
Nicolas Dhervillers’ cinematic Detachment series offers the Anabaptist Amish community a new narrative.
Carsten Höller’s installation The Prada Double Club Miami offers the experience of a fully-functioning nightclub.
The impact and evolution of technology is foregrounded in the 30th anniversary edition of London Art Fair.
A recently opened exhibition of Monika Sosnowska at Hauser & Wirth, London, titled Structural Exercises, examines underlying layers of buildings.
Deichtorhallen Hamburg brings together a selection of Alec Soth’s intimate portraits of everyday suburban life
Never Ending Stories, an interdisciplinary project, examines the phenomenon of the endless loop across cultural history.
Amy Hughes is a New York-based British painter. Her work considers relationships between body and mind – we speak with her to find out more.
A site-specific installation at Yorkshire Sculpture Park by Chiharu Shiota investigates themes of loss, nostalgia and life cycles.
Edmund Clark’s The Mountains of Majeed is a reflection on the end of “Operation Enduring Freedom” in Afghanistan at Flowers Gallery, London.
Jiri Svestka Gallery offers dialogues between emerging practitioner Katarína Poliačiková and iconic photographer Stephen Shore.
Lucio Fontana’s pioneering Ambienti Spaziali (Spatial Environments) are on display at Pirelli HangarBicocca, Milan.
James Casebere’s innovative investigations into the nature of constructed spaces are inspired by world-renowned architect Luis Barragán.
In Aulus-Les-Bains, housed in a renovated 19th century hotel, is camp – the first of a new breed of arts residency, running across five-day sessions.
Gregor Sailer’s work uncovers a complex and uncanny world of façades hidden in the contemporary landscape.
An exhibition of German photographer Andreas Gursky’s monumental work marks the reopening of Hayward Gallery, London.
Devoid of human activity, Candida Höfer’s abstracted images of grand architectural structures are pervaded by a sense of absence.
Wout Berger’s Poisoned Landscape series at Nederlands Fotomuseum examines the peculiar and deceiving beauty of polluted environments.