Boomoon’s Skogar, on display at Flowers Gallery, documents a sublime encounter between the photographer and the natural world.

Dreamy doesn’t do justice to Maia Flore’s images, on show at Galerie Esther Woerdehoff, Paris. Au lieu de ce monde places physicality at the centre.

Hans Strand’s images, on display in Manmade Land at Fotografiska, Stockholm, highlight the tragic beauty of the curated landscape.

Returning with timely programmes, new exhibitors and a fresh layout, Frieze New York is an imaginative arena for the arts.

Panasonic’s immersive installation offers visitors the opportunity to experience pure air, highlighting issues of pollution.

Olaf Otto Becker’s photography makes the impact of human intervention visual through an engagement with sublime natural landscapes.

Shortlisted artist Electra Lyhne-Gold questions the wider impact of advertising by fragmenting the language of publicity.

Photographer, researcher and archivist Dan Holdsworth uses high-tech software to examine the world’s changing natural topographies.

Examining the changing definition of architecture after modernism, Gordon Matta-Clark’s work offers insight into deconstruction,

An exhibition of works by Cindy Sherman focuses on existential ideas, exploring dream landscapes, fantasy worlds and deep-rooted fears.

Fernando Mastrangelo’s uncanny visual language bridges the boundary between the real and the imagined, offering a surreal experience.

From future cities to manufactured histories, exhibitions open 14-15 April surpass the temporal world to offer new visions of reality.

Gillian Hyland, who is part of the Aesthetica Art Prize, crafts highly-stylised images engaging with notions of desire and nostalgia.

n a portfolio completed toward the end of her career, Diane Arbus invites us to look, uninhibited and free from the confines of society.

Magnum photographers offer striking images of the student protests in France during May 1968, a time regarded as the start of postmodernism.

Ellen Jantzen unearths new states of reality through digital manipulation, looking beyond the surface to reveal new layers of meaning.

Uriel Orlow’s Theatrum Botanicum positions the natural world as a stage for politics, profoundly engaging with the impact of colonialism.

Finnish photographer Elina Brotherus combines her past with tropes from the history of art, forging personal and universal connections .

Lumen Prize are attending the Aesthetica Future Now Symposium to discuss how prizes help artists to develop. Carla Rapport expands upon the idea.

Jocelyn Lee’s portfolio of photographs offer intimate moments, presenting a subtle yet powerful statement about the female experience.