Cinematic lighting, mysterious locations and enigmatic characters. These are the hallmarks of Julia Fullerton-Batten’s history-drenched pictures. The artist launches a major solo show.
Aesthetica marks 20 years since the first issue was published. This edition is dedicated to the power of creativity, the arts and independent print.
Victoria Sambunaris’ large-scale landscapes monitor human impact on the natural environment, illuminating water shortages and ecological crises.
Discover this year’s Future Now line-up, bringing together award-winning artists for talks that engage with themes from our rapidly changing world.
“A strange fluorescence occurs when certain minerals and materials are subjected to ultraviolet radiation.” Cody Cobb captures this phenomenon.
The Parthenon is an icon of global architecture. Adam Newman and Kelvin Tsang draw inspiration from its once-colourful artistic embellishments.
99 portrait photographers chronicle the past 12 months through the eyes of everyday people, key workers and national treasures from across Britain.
There is an inherent sense of mystery about forests. Here are five photographers – all featured in Aesthetica – who put them front and centre.
German photographer Jan Prengel looks beyond still life – instead capturing flowers and plant stems in motion, over an exposure time of 2-3 seconds.
Mark Power visualises historic weather reports, imagining beautiful, daunting seascapes of blustering winds, endless rainfall and churning waves.
Studio Brasch’s new images, crafted using the latest AI tools, combine fundamentals of Japanese Ikebana with abstract sculpture and new technologies.
Bernd and Hilla Becher blurred the lines between media, documenting now-demolished industrial structures across Europe and the United States.
Jamal Nxedlana is intent on creating “an alternative image repertoire to tackle biased views of Africa”, whilst celebrating Johannesburg’s cultural pioneers.
German photographer Tom Hegen’s aerial photographs investigate salt production, and the complex relationship humans have with the planet.
The history of aerial image-making can be traced to the mid-19th century. Michal Zahornacky reduces man-made structures to lines, curves and colours.
London Art Fair’s contemporary photography show returns, foregrounding artists who engage with Black and diasporic heritage through the lens.
“What does it mean to collect and exhibit?” This is the starting point for a group show that contemplates the role of galleries and museums.
Past and present collide in Omar Victor Diop’s work. The Senegalese photographer takes cues from western portraits to portray Black pioneers.
Nothing is quite what it seems in the work of Frank Kunert. The model maker and photographer’s studio images depict settings that are slightly askew.
