Simon Starling: Project for a Masquerade (Hiroshima) at The Modern Institute
Review by Alistair Quietsch On 10 December, I read yet another apocalyptically tinged news report: that of Burma building silos with aid from North Korea…
Review by Alistair Quietsch On 10 December, I read yet another apocalyptically tinged news report: that of Burma building silos with aid from North Korea…
Review by Ceri Restrick Lost Languages and Other Voices is Joy Gregory’s first major retrospective. The exhibition charts the artist’s career over two decades and…
Review by Rosa Rankin-Gee There is something life-affirming about the queues to see art in Paris. Perennially long, and slow, and full of people complaining…
Review by Carla MacKinnon The Gopher Hole is a brand new venue and project space nestling beneath El Paso Restaurant at 350-354 Old Street in…
Review by Ceri Restrick The National Media Museum sets the bar for exhibiting world class art and culture. Swedish photographers, Anders Petersen (b. 1944) and…
Review by Nicola Mann A long time ago, in a galaxy far, far away urban designer and theorist Melvin M. Webber devised a radical plan…
Review by Joseph Ewens Now in its 26th year, The Turner Prize has become an epicentre for contemporary art debate. Its mission to highlight the…
Review by Colin Herd Timed to coincide with Richard Demarco’s 80th birthday, the current show in the impressive and expansive galleries of the Royal Scottish…
Below is a Q&A with Jared Varava from the American filmmaking duo, the Varava Brothers. As one of the longer shorts on the Aesthetica Shorts…
Review by Charles Danby Following hot on the heels of Transition’s inaugural ART BLITZ auction, a call to arms against impending arts cuts in the…
Review by Robert J. Wallis, a Professor of Visual Culture & Director MA in Art History at Richmond The American International University in London. “Every…
With Kahlo’s place firmly rooted in history, Chicago asks how exactly has this place been cemented? “As an important artist? Feminist hero, Latino pioneer?”
To celebrate the launch of the Aesthetica Shorts 2011 DVD, there is a feature on the nature of short films and a discussion of the…
Angela Bulloch’s (b. 1966) Discrete Manifold Whatsoever opened early this autumn in London at Simon Lee Gallery, marking her first solo exhibition in the UK…
Looking at the wider definitions of architecture, Marcin Szczelina chats with Carson Chan, co-director of PROGRAM in Berlin. To continue the debate, read the current…
By Stephanie Bailey Taking over Sofia Touboura’s independent project space, Open Show Studio, for a one week programme of live poster painting sessions, sound performances…
Review by Jenny Thompson Answering these two questions initially seems easy. However, if we consider our social and emotional histories, we begin to uncover a…
For 2010 the second edition of The Manchester Contemporary (28 -31 October) continues to harnesses cutting-edge and critically engaged contemporary art in the North West…
By Kenn Taylor Bloomberg New Contemporaries is an open-submission showcase for art students and recent graduates, which takes emerging artists and their works out of…
