Below the gilded King Edward VII chandeliers and between the Italian travertine engraved marble walkway the exhibition Contemporary Art in Northern Ireland is situated in The Great Hall of Parliament Buildings at Stormont.
We Have A Body is a comprehensive solo exhibition by Mette Winckelmann. Winckelmann initiates a dialogue with Den Frie Centre for Contemporary Art’s architecture and history.
United Enemies brings with it the spirit of Arte Inglese Oggi – a 1976 British Council show featuring the work of many of the artists included – but concentrates on the complex nature of British sculpture in the 1960s and 1970s.
This year the arts have been subject to a double squeeze – big falls in business contributions to the arts coupled with the much documented cuts to funding from the public sector.
Dislocated Flesh features the work of Julien Ottavi and Jenny Pickett. This new body of work stems from their long term collaboration exploring perception, memory and architecture.
Mark Handforth’s (b. 1969) Rolling Stop opened at the Museum of Contemporary Art in North Miami, for Art Basel Miami Beach. Curated by MOCA Executive Director Bonnie Clearwater.
The main room of South London Gallery is entirely taken up by Birnbaum’s Arabesque. Before even entering the room, the flowing piano of Robert Schumann’s composition Arabesque Opus 18 reaches out to draw one into the space.
Taking its place in Chapter’s 2011 roll call directly after Resident, WITH Collective’s über-conceptual Autumn show, Paloma Varga Weisz’s solo outing at the Cardiff gallery is a difficult one to approach.
Since their original publication in 1865, Alice in Wonderland and Through the Looking Glass have had an unprecedented influence on the visual arts.
When Mario Testino announced Glasgow-based Martin Boyce as the winner of this year’s Turner Prize at the Baltic last Monday night, he accepted the award with modesty to the point of bashfulness.
The Craft Council celebrates 40 years of the Crafts Council Collection with a major online show 40:40 – forty objects for forty years that launches today.
At Aesthetica we encourage creativity and innovation, fostering artists and writers through the Aesthetica Creative Works Competition. This year’s competition saw a fantastic response.
This December Coldharbour London Gallery will be exhibiting The Day The Factory Died, a collection of never-before published photos by acclaimed fashion photographer Christophe Von Hohenberg.
This year’s August/September issue featured the work of Lara Jade, a fashion, portraiture and commercial photographer who has worked with brands such as Sony and magazines such as Elle.
The Bloomberg New Contemporaries has long presented art lovers with an annual snapshot of emerging talent from the next generation of artists in the UK. The first exhibition was held in 1949.
In her explorations of representation and social status, Sarah Baker often disseminates her artwork unconventionally to heighten the tension between fabrication and authenticity.
The Turner Prize will be awarded at BALTIC Centre for Contemporary Art later this evening, during a live broadcast on Channel 4, to an artist under 50, born, living or working in Britain.
The Icelandic ash cloud of 2010 brought many parts of the world to a halt, and showed international societies just how fragile our technological networks really are, despite advanced machinery.
Brooklyn quintet Milagres’ debut album bursts into life with more than a hint of Human League style 1980s electropop in rousing opener Halfway.