There is a lot of bitter chatter about public funded arts organisations at the moment. There’s the much contested ACE capital-funding programme, rumours of the…

Edinburgh Art Festival announces its programme for its ninth edition. Taking place in more than 30 of the city’s museums, not-for-profit and commercial galleries, EAF will feature over 45 exhibitions.

Currently showing at Manchester Art Gallery is Roger Ballen’s first major solo exhibition in the UK, representing three decades of Ballen’s photography.

With an insightful introduction from Tristan Manco, the stage is set, and the artists are profiled and their practice discussed in great detail.

Patrick Keiller’s most recent project brings the imaginary to life in a very real and concrete way. Robinson, the enigmatic scholar, seeks to explain the current economic and social condition.

I Myself Have Seen It: Photography and Kiki Smith is the product of a decade-long conversation between independent Curator Elizabeth Brown and the artist, examining a little-known body of work.

Cities are often described as living organisms; viewed as subject rather than object. Matthew Picton engages with this traditional of humanising the city by deconstructing the clean.

David Hall is a formative figure in time-based art. Credited with introducing the term “time-based media” into circulation, he followed this by creating the first British course in the subject.

Tina Hage is a London-based artist. She grew up in Düsseldorf and studied at the Academy of Media Arts in Cologne until 2004 and then completed her Masters in Fine Art at Goldsmiths in 2009.

The 32nd edition of The AIPAD Photography Show New York will open this Thursday 29 March. It promises to be a fantastic show with new work by Philip-Lorca diCorcia from David Zwirner.

This month Dublin’s Gallery of Photography plays host to the work of two esteemed photographers – Sebastião Salgado and Per-Anders Pettersson.

Massimo Nolletti’s exhibition is a wonderful celebration of the sounds and vibrations of everyday life. This series of work represents the endless possibilities of photography in an urban setting.

An immobile red hatchback, front smashed against a skewed road sign, blares out hypnotic and maniacal club anthems from its boasting stereo system.

Born into a Muslim family in Birmingham in 1978, London-based artist Idris Khan decided to stop practising Islam when he was fourteen years old.

“Do you hear me?” echoes a haunted voice in a vacuous subterranean space while a man crouches in a cell unable to escape the persistence of the creeping and persistent speaker.

Birdhead’s concern is the flow of power from West to East, as gauged by that thriving metropolis of ever increasing scale, life and culture: Shanghai.

Among the most common and enduring definitions of design is “problem solving.” A problem arises, the designer analyses it and distils it into goals, and then she creates a road map to a solution.

To celebrate the unveiling of the Women’s Designer Galleries in its London store, Selfridges has commissioned The Film Project – a bespoke short film collection. Free screenings continue until 26 March.

The Freud Museum was Sigmund Freud’s home in the last year of his life. The museum has attracted interest in the art world having worked with artists such as Susan Hiller and Mat Collishaw.

The title of the current exhibition of photographs by Raeda Saadeh at Rose Issa Projects, London, is well-chosen as True Tales, Fairy Tales brings together and highlights key aspects of the artist’s work.