Whole in the Wall is the first UK solo exhibition by Palestinian artist Khaled Jarrar. Running from 20 June at Ayyam Gallery, the showcase of work includes a new site-specific participatory installation.
Jonny Briggs graduated from the Royal College of Art several years ago and has since gone on to feature in numerous solo and group exhibitions. Briggs speaks to Aesthetica about the influence of the RCA.
The Danish pavilion at the Venice Biennale stands as a rather desolate figure among the well-tended buildings surrounding it. The apparent entrance is a door that stands permanently shut and unattended.
Paper Weight Genre-defining Magazines 2000 to Now takes a refreshing look at independent publishing in the 21st century. Opening today, the show runs until 27 October at Haus der Kunst.
Darwin’s epochal observation at the close of The Origin of Species (1859) might aptly describe artist Katie Paterson’s theme and agenda in her latest exhibition, at Kettle’s Yard in Cambridge.
Love Me Love Me Not offers an insight into the rich and varied cultures of the countries represented. Running at the Venice Biennale until November, the showcase collates the work of 17 artists.
Staged as part of this year’s London Literature Festival, Ute Lemper Sings Pablo Neruda was a fantastic concert dedicated to the memory of Pablo Neruda, one of the masters of Chilean poetry.
The RA Schools Show, the annual exhibition of works by final year students, will open on 19 June at the iconic Royal Academy Schools. The show is held in the historic studio spaces of the Schools.
This summer FACT combines art and politics in Turning FACT inside Out. Running from 13 June, the show explores aspects of environment, architecture, capitalism and augmented reality.
York Theatre Royal’s TakeOver Festival is certainly to be admired. A performing arts festival programmed and run by young people, it succeeds in bringing compelling, often lesser known works to the fore.
Since her success at the Edinburgh International Film Festival for her first directional feature debut; Flying Blind, Polish director Katarzyna Klimkiewicz’s is creating a stir in the film world.
Tapa – Barkcloth paintings from the Pacific, proposes a curious offering for a contemporary site. A timeless partnership, which transgresses history and the furthest reaches of the globe, is formed.
Scripted and produced by members of Orange Tree Theatre’s Writers Group, which nurtures the talents of professional playwrights, Unrivalled Landscape comprises six new short plays.
Aesthetica speaks to Gilad Ratman, currently representing Israel at the Venice Biennale about politics, narratives and his project for the event. The Workshop is a five-channel video installation.
Artist Tavares Strachen talks to Aesthetica about science, the North Pole and the desire to fit in. Entitled Polar Eclipse, the Pavilion for the Bahamas makes for a rich, multi-sensory experience.
Born and bred in Zurich, Play Hunter is an artist, author and creative entrepreneur. Studying Fine Arts at Saint Martins College of Art, London, Hunter set up her website Playlust back in 2007.
Asymmetrical Cinema is a fitting title for the unsettling cacophony of noise and image currently on show at Beaconsfield. The exhibition is curated by Dale Holmes and Kirsten Cooke.
The man who made a name for himself by painting hospital doors has come a long way with a very simple formula: gloss paint in bold, treading a line between abstraction and figuration.
The British Pavilion at the Venice Biennale, English Magic, by artist Jeremy Deller is about as quintessentially English as they come. The building cuts an imposing edifice within the Giardini.
