Bali-based American artist, Ashley Bickerton returns to Singapore after his successful show Junk Anthropologies, with new stitched-canvas works which appertain to his signature funk style.

For the fourth year in a row 130 emerging designers from 30 countries will come together in the largest public fashion exhibition of its kind.

Artists have been recreating their own image for centuries, from advertisement and preserving legacy, to figurative studies, political commentary and biographical exploration, self-representation has shaped Western art.

The second show at Dominique Lévy’s new London space will map the progression of the abstract white relief geographically and through time, with a focus on the 1930s to 1970s.

For his first solo exhibition at the Alan Cristea Gallery, Turner Prize winner and Royal Academician Richard Long will exhibit a series of new, monumental carborundum relief prints.

In the run up to the 2015 General Election, History Is Now will look at the last 70 years of British history to offer a new way of thinking about how we got to where we are today.

The practice of photographer and film maker Ori Gersht addresses post war trauma by documenting the landscapes that have witnessed it. Don’t Look Back revisits three bodies of work.

Formed by Heinz Mack and Otto Piene of the Kunstakademie Düsseldorf, the ZERO movement rejected the gestural language of abstract expressionism and instead sought for an artistic purity in the wake of the trauma of the Second World War.

Group exhibition, Playtime, is the final Cornerhouse group exhibition before they make their move into HOME in May 2015. The show sees a selection of artists including Rosa Barba, Niklas Goldbach, Andy Graydon and many more.

Described as a “grotto of visual excess” Julie Verhoeven’s exploration of gender identity past and present is a disturbing explosion of kitsch and womanhood.

A pioneer of “Op” and kinetic art, artist Julio Le Parc’s ongoing contribution to contemporary art is currently being celebrated at the Serpentine Galleries in London. In Issue 52, Aesthetica looked at a landmark exhibition of Le Parc’s work at Palais de Tokyo, Paris.

From 7 March Yorkshire Sculpture Park will reunite an expansive selection of work by British sculptor Henry Moore with the park’s vast, rolling landscape.

Transmitting Andy Warhol is a dazzling exhibition which enables the viewer to discover more about the Pop Art pioneer and founder of the influential Studio 54 movement, whose radical designs transformed the modern art world.

The enigmatic, almost totemic, structures currently on view at Pilar Corrias in London, are the new body of work by Brazilian artist Tunga. Entitled “La Voie Humide” (translated The Humid Way), this is his second show at the gallery.

The organic sculptures and magical universe of Brazilian artist Ernesto Neto take over the gallery at Guggenheim Bilbao, allowing audiences to engage with art using their senses.

The winner of the Poetry category for the 2014 Aesthetica Creative Writing Award is Charles Fishman, discusses the inspiration behind his winning poem and what future projects he has lined up.

One of the most innovative artists of the second half of the 20th century is given his first solo exhibition in London at Richard Saltoun Gallery. Filliou’s work challenged the role of art in everyday life.

Berlin-based Japanese artists Futo Akiyoshi, Kouichi Tabata and Takahiro Ueda hold the first group show to take place within White Rainbow gallery. Each artist creates works surrounding the themes of time, space and psychology.

This group show curated by Peter J. Amdam brings together artists who accentuate how art operates in an era of new media, and in a world which is both human and non-human at the same time.

Looking at human-induced climate change and exploring apocalyptic fears, Song for Coal considers the Industrial Revolution as an ongoing process. The project coincides with the end of the 30-year anniversary of the UK miners’ strike.