Reality in Context
In his series, Fake Holidays, Reiner Riedler traverses the boundaries of place by examining reality within the context of the staged and created.
This issue is centred on exploration and re-examination. We start with the blockbuster retrospective Cindy Sherman show opening at MoMA, which brings together over 180 photographs tracing the artist’s career from the 1970s to the present day. The idea of “innovation in the modern age” is surveyed in the V&A’s British Design 1948-2012 show, which opens this spring. Lifelike opens at the Walker Art Center and examines artworks based on commonplace objects and situations that question authenticity. This Will Have Been: Art, Love and Politics in the 1980s opens at MCA Chicago, and is a timely re-appraisal of the tumultuous decade from a social, economic and political angle. IMMA Dublin opens Conversations, and we showcase a selection of works from this fascinating show, as well as looking at three photographer’s new series of works.
In film, the Chemical Brothers release Don’t Think, directed by Adam Smith and Marcus Lyall, which skilfully records their performance at Fuji Rocks, Japan. There is also a Q&A with Jes Benstock, director of The British Guide to Showing Off, which brings the Alternative Miss World pageant to the big screen. In music, we look at Intelligent Dance Music and discuss the love-hate relationship with the term. We also chat with the Staves about being in a band with your sisters and singing backing vocals for Tom Jones. In performance, we look at the rise of puppetry in theatre with the Manipulate Festival. Finally, Shilpa Gupta discusses her interdisciplinary approach in her new show, Someone Else, which opens at Arnolfini in March. Enjoy the issue!
In his series, Fake Holidays, Reiner Riedler traverses the boundaries of place by examining reality within the context of the staged and created.
A major Cindy Sherman retrospective opens at MoMA, probing gender and identity politics from all angles. The artist is in front of and behind the lens.
The first comprehensive exhibition to examine how UK artists and designers have produced acclaimed works, from post-war to the present day.
Showcasing over 150 works, this major exhibition examines the diversity and complexity of art produced during the tumultuous 1980s, a transformative time for culture and society.
Inviting a close examination of artworks based on commonplace objects and situations, Lifelike is an international, multigenerational group exhibition.
Conversations: Photography from the Bank of America Collection is now on show at the Irish Museum of Modern Art.
Pointing a camera at a band isn’t really filming a concert; Adam Smith and Marcus Lyall tell us how they made the Chemical Brothers’ Don’t Think seem so real.
It’s hated by artists, ridiculed by label owners and seems to have outworn its welcome by nearly two decades. So why is the label Intelligent Dance Music still being used?
Jes Benstock chats about his latest film, which charts 40 years of sculptor Andrew Logan’s eccentric and kitsch Alternative Miss World beauty Pageant.
Meet the Staves: three sisters from Watford in their early 20s compelling talents. Their second EP, Mexico, features three delicately assembled ballads.