Julian Schnabel’s confessed fear of death and suggestion that reality and truth may reside in things could account for the gigantic size and weight of the objects in The Brant Foundation Art Study Center exhibition Julian Schnabel.
Gered Mankowitz: Vintage Stones marks the 50th anniversary of the Rolling Stones’ formation and brings together over 1000 previously unseen vintage silver gelatin prints.
The comprehensive project América Latina 1960-2013 is a bright example of a discourse presentation in a frame of exhibition space. It aims to give a panorama of Latin American photography from 1960 up to today, and unites 72 artists from 11 countries.
The Catlin Guide 2014 will present the very best in Britain’s most talented new artists. The publication will be available to the public from January at this year’s London Art Fair.
The first major large-scale retrospective in Europe devoted to Photorealism surveys the genre’s development from the 1960s to today through works by Charles Bell, Audrey Flack, and others.
Influential photographer Paul Reas has documented the experiences of the working class. This project comes together in the international premiere of his first major retrospective at the Impressions Gallery.
Hoarding photographs, art books, newspaper clippings and found items that took her fancy, Vivian Maier filled storage lockers with her bric-a-brac and over 100,000 negatives.
Maroesjka Lavigne spent four months travelling around Iceland in the months between winter and spring photographing this intriguing country along the way.
German artist Isa Genzken’s first major American retrospective at New York’s MoMA will engage the senses and the mind in an all-out immersive exhibition.
A new exhibition at Museum of Contemporary Art Krakow explores the socio-political undercurrents of European art since 1945 through to the present day.
Parreno transforms the Palais de Tokyo, an experience rather than an exhibition, Anywhere, Anywhere, Out Of The World is greater than the sum of its parts.
Renowned for impeccable tailoring with unexpected elements lurking beneath each perfect cut, Paul Smith rose from a single, tiny shop in Nottingham.
Cornelia Parker is a British sculptor and installation artist who is interested in the potential of materials. Her latest involvement is with Glasstress, as one of 65 artists challenged to work with glass.
Tracing a landscape of signs, buildings and interiors, Jim Dow’s photographs record the character of a past era. Beginning in the 1960s, he has continued to capture these elements all over the world.
Cally Whitham records the ordinary, transforming it into a surreal landscape, reflecting the way places are perceived through nostalgia and memory.
Osborne Samuel displays the work of three of the UK’s leading contemporary photographers, each of whom use their medium to provide unique and powerful insights into the lives and traditions of various communities and individuals.
For the second time, the Michael Hoppen Gallery opens Splinter, a one-day art fair on 30 November. As before, the event will offer a wide range of 19th, 20th and 21st century photography.
The animalistic and savage creatures of MBE award-winning sculptor, Nicola Hicks, find their home at Flowers Gallery, New York. Full of a quiet expression, these towering straw and plaster figures set out to explore the nature of character.
The Uneventful Day brings together the unique and interconnected work of three young artists: Jim Woodall, Alexander Page and Luke Burton. The show examines humanities’ relationship with landscape and architecture.