Julio Le Parc’s solo show at Palais de Tokyo in Paris in 2013 was a blockbuster that the French capital will remember for a long time. Now, the artist presents his first major UK exhibition in London.
A student of Paul McCarthy, Jason Rhoades lived and worked in Los Angeles and built what he claimed was the world’s largest sculpture at the Deichtorhallen in Hamburg, Germany in 1999.
Now in its eighth edition, the UK’s leading artist fair, The Other Art Fair, opens on 23 April at its new location in Bloomsbury, London.
Starting on 6 February, The Hepworth Wakefield presents the greatly anticipated show and first museum survey of Lynda Benglis’ work in the UK, spanning the entirety of her impressive career.
Ken Schles has been making photographic books for over a quarter of a century. Now, his portrayal of his own home shows in 40 black and white photographs a gritty and penetrating view of 1980s New York.
Drawn By Light at the Science Museum’s Media Centre, London, showcases the extraordinary breadth of the Royal Photography Society’s collections, both historical and contemporary.
Three photographers, Nadav Kander, Boomon and Mona Kuhn, explore a complex and personal relationship between mankind and the landscape, reflecting upon our connection with, and impact on, the surrounding environment.
Chu Enoki presents his performance pieces of the 1970s, photographic works, exquisite, previously unseen drawings and his later sculptural works made with deactivated guns and cannons.
Viviane Sassen’s vibrant colours combine with abstract shapes and contorted lighting to create a surreal landscape where nothing is as it seems.
Matthias Heiderich explores urban environments, finding surprising angles and colours within cityscapes. His shots are framed in a distinct way, focusing on corners, sides and small sections of buildings. Consequently, he does not just record what he sees; rather he transforms the ordinary into dream-like spaces that suggest a futuristic universe.
A new exhibition at Mode Museum, Antwerp, curated by Dries van Noten, encompasses his wide-ranging influences in an intimate exploration of the designer’s creative process.
Working in both photography and filmmaking, Robert Harding Pittman questions the difference between what is deemed to be nature and what is natural. Through his image-work he considers the contrast between manmade constructions and organic growth, exploring whether humanity controls and interrupts evolution or is just part of the process.
An exhibition at the Vitra Design Museum explored the boom in modernist architecture in Africa following independence.
Douglas Coupland explores the collective consciousness of the 21st century through Lego works, readymades, bric-a-brac and an enormous public work, coated in chewing gum.
Light, form and shadow: Barbara Kasten’s experimental photography and cinematic installations are dynamically exposed to audiences at the ICA.
Born in Latvia, Iveta Vaivode (b. 1979) asks viewers to stop and appreciate the natural beauty in the world, whether that is in the village where her grandmother was born or in the stillness of an operatic performance. The romantic and nostalgic photographs look at the world as if through the objective and inquisitive eyes of a child.
Belgian photographer Reginald Van de Velde stops time with reflective images of abandoned spaces. In capturing structures that are slipping into disrepair, he saves them forever, temporarily halting the progress of nature as it pulls each space back into the dust from which it came.
This solo show by Corinne Felgate is comprised of two new major installations: Bigger than the Both of Us (MOMA) and Studio X Y Z. Both draw on the artist’s research into our relationship with the man-made environment.
Sarah Gillespie’s works on paper depict, in simple ink and charcoal, ghostly landscapes and images of flora and fauna reminiscent of photograms, heavily saturated photographs or even paintings.
