The Deutsche Börse Photography Foundation Prize touring details have been announced for 2017, starting at The Photographers’ Gallery, London.

Nathan Coley explores the ways that architecture reflects on and conditions the social environment at Parafin Gallery, London.

Thomas Dane gallery, London, hosts Kasten’s first solo, UK-based exhibition, introducing the medium of moving image for the first time.

In a world dominated by digital technologies, the authenticity of Jeff Cowen’s (b.1966) work has a distinctive appeal.

Yorkshire Sculpture Park, Wakefield, questions what we know and understand about architecture in the group exhibition [Re]construct.

Through film and sculpture, with a particular emphasis on sound, Oliver Beer considers the physical properties and emotional values of objects.

The immersive installation from Sophia Al Maria, EVERYTHING MUST GO, captures the chaotic, almost apocalyptic nature of consumerism.

Brooke DiDonato pairs human experiences with uncanny visual elements and invites the subconscious into a playground of domestic settings.

Strata – the title of Amie Siegel’s newest exhibition at South London Gallery – denotes a series of layers which are embedded within moving-images.

Serpentine Gallery, London, charts the career and legacy of John Latham, a figure regarded as a pioneer of British conceptual art.

An investigation into the relationship between narrative and imagery characterises the work of American artist Lisa Oppenheim.

On the occasion of Arte Fiera, MAST Foundation opens Work in Motion: The Video Camera’s Eye on Social and Economic Behaviour.

Two newly commissioned pieces by Patrick Hough and Lawrence Lek are premiered as part of the Jerwood/FVU Awards 2017.

Perception, movement and the relationship between the viewer and their surroundings are central themes within Olafur Eliasson’s practice.

Poetry Winner Ian M Dudley’s sequence, entitled Business Class, explores the notion of work in a large multinational company.

Lauren Marsolier’s images alleviate the world of specific details and are displayed at PHOTOFAIRS San Francisco, courtesy of Robert Koch Gallery.

John Akomfrah OBE has been awarded £40,000 courtesy of Artes Mundi for the 2016 film Auto Da Fé, chosen from six socially responsive works.

The volatility of Chinese ink provides a new language through which Paula Klien contemplates change and the construction of art.

Vitra Design Museum both demonstrates the many forms that robots take today and raises awareness of the correlating ethical, social and political issues.

A festival-style exhibition delves into the storytelling roots of science fiction, a genre which has captures imaginations around the world for decades.