Experiential Composition
Anastasia Schipanova represents a new generation of Russian contemporary artists, who mix expressionism, symbolism and abstractionism.
Anastasia Schipanova represents a new generation of Russian contemporary artists, who mix expressionism, symbolism and abstractionism.
The 16 practitioners who have been shortlisted for this year’s Aesthetica Art prize discuss contemporary themes and methods of working at Future Now.
[Re]construct demonstrates the ways in which artists have incorporated the materials of architecture through works selected by Arts Council.
As a collateral event of the 57th Venice Biennale, the Museo Correr shows 26 of Shirin Neshat’s portraits from The Home of My Eyes alongside new film, Roja.
Lead airplanes dominate a 1500-square-metre space and converse with a series of paintings in Anselm Kiefer’s installation at Copenhagen Contemporary.
A series of new work by Theo Simpson will be presented at the Webber Gallery Space booth at Photo London, from 18-21 May.
As both architect and designer, Dominika J Rostocka sees interior design as a passionately creative process, but bases an ethos around functionality.
Those attending Future Now have the added opportunity of an exclusive invitation to the Private View of the Art Prize Exhibition.
Shanghai Project’s Seeds of Time takes its title from the documentary of the same name, which shares the exhibition’s call for action regarding climate change.
Esther Hovers’ False Positives features intelligent surveillance systems – cameras that are able to detect deviant behaviour within public spaces.
The first major solo exhibition dedicated to the British artist Damien Hirst in Italy since his 2004 retrospective opens across two Venetian venues.
Anne-Marie Filaire’s Temporary Security Zone at Mucem features a body of work that is dense, engaged, rigorous and monumental.
Design Museum marks the centenary of the Russian Revolution. Imagine Moscow explores the city as it was envisioned by a bold generation of architects.
At the heart of Future Now is the understanding that bringing artists together encourages discussion, our portfolio reviews reflect this.
On Kawara’s One Million Years (Reading) opens at Venice Biennale 2017, calling upon volunteers to gather and list dates from the future and the past.
The inaugural Nigerian Pavilion comes to the Venice Biennale featuring the work of three leading Nigerian artists and exploring themes of identity.
Joel Meyerowitz: Towards Colour documents a seminal movement away from monochrome into the search for tonal complexity.
Jane Gottlieb’s compositions are a saturated depiction of cities and nature, reworking recognisable locations into hallucinatory snapshots.
Creatives from the 2017 Aesthetica Art Prize shortlist and longlist participate in a closing event at Future Now; hear from this year’s line-up.