American artist Robin Kang (b.1981) threads nuances between technological advances and the history of the textile industry via Jacquard loom handwork and patterned circuitry imagery.

The Whitworth brings Ben Rivers’s most ambitious work to date to Manchester. We speak to Mary Griffiths about Rivers’s film that migrates between the realms of documentary, fantasy and fable.

Hauser & Wirth Somerset are hosting a major solo exhibition of new and recent work by Subodh Gupta, bringing together a sculptures and installations by the New Delhi-based artist. We review the show.

Glasgow International Festival’s seventh edition opens on 8 April 2016. Directed by Sarah McCrory, the 2016 programme is comprised of new works, site-specific commissions and events across the city.

Focused on a series of sculptures from a crucial decade in Alberto Giacometti’s life, this London show provides a deep insight into the development of the Swiss sculptor and painter’s practice.

Whitechapel Gallery’s Electronic Superhighway brings together over 100 works to show the impact of computer and Internet technologies on artists from the mid-1960s to the present day.

Kunsthal Rotterdam’s exhibition Astonish Me!, is a collaboration with Musée de l’Elysée, Lausanne, and includes more than 300 never-before exhibited works, including prints and photomontages.

Dean Melbourne unveils his second solo show in London this February at Gallery 8. Curated by Coates and Scarry, the exhibition showcases Melbourne’s most recent paintings and works on paper.

Returning for its second year as part of Dubai Art Season, World Art Dubai will take place from 6-9 April at the Dubai World Trade Centre and will showcase a global collection of more than 3,000 paintings, sculptures and photographs.

CFCCA Manchester is currently showing Xu Bing’s Book from the Ground, a novel written in a universal language of icons, alongside a recreation of the artist’s studio: we explore the exhibition.

The Aesthetica Art Prize celebrates the work of emerging and established artists from around the world, championing excellence in art across a range of media. Olga Woszczyna was longlisted with her work Entity III, which is influenced by contemporary architecture and goldsmithing. She is inspired by cities with their variety of cultural and design influences and the art of jewellery.

Emotional Supply Chains addresses the construction of individual identity in the digital age, with a selection of works that have all been drawn from the Zabludowicz Collection and produced since the year 2000. Including six new commissions, the show features 16 leading international artists.

We explore the first UK solo presentation of works by Betty Woodman, one of the most important contemporary artists working with ceramics today, including a number of new mixed media pieces.

20th century sculptor Giacomo Manzù is best known for delicate and moving work focusing predominantly on portraiture and religious imagery. We review his current exhibition at the Estorick Collection.

Vienna-based manufacturer WOKA reproduces iconic lamp designs from the early 20th century, including pieces by the Wiener Werkstätte and the Bauhaus, which have fallen out of production.

Design Shanghai returns for its fourth iteration from 9-12 March. Taking place at the Shanghai Exhibition Centre, this year’s fair promises to feature work from over 300 product and design brands.

White Cube Mason’s Yard presents an exhibition of paintings by Korean artist Park Seo-Bo, best known for his Ecriture series of the late 1960s. We review the show, which traces the works’ origins.

In over 100 photographs, sketchbooks and ephemera, this exhibition explores the motivation behind Saul Leiter’s work and is the artist’s first major show in a British public gallery.

The Premiums: Interim Projects 2016 show features the work of artists at the midpoint of their studies at the Royal Academy Schools. We speak to exhibiting artists Adam Shield and Richie Moment.

Roughly a century after the production of the first animated film, the Hirshhorn Museum takes stock of the current state of the art form and considers what it can reveal to us about the information age.