Alex Da Corte’s BAD LAND transforms the architectural space of Josh Lilley Gallery, London, into a colourful three-dimensional film set.

The selection for 25-26 November investigates self-definition, uncovering what it means to be formed by experience, locale and popular culture.

The practice of influential photographic duo Bernd and Hilla Becher is characterised by an objective uniformity,

Concertina is a collection of structures by Richard Wentworth and Apparata that explore the social potential of art spaces and transform the gallery.

André Cepeda’s work examines urban architectural forms using light and geometry in surprising, spatially resonant ways.

Unsettling and revealing, Sasha Rudensky’s images traverse the contemporary landscape, exploring the aftermath of the Cold War.

Taking the city as a subject, Wayne Sorce’s images document the urban landscapes of Chicago and New York in the 1970s and 1980s.

SCOPE Miami Beach is recognised worldwide for its forward-thinking approach and focus on emerging practitioners and galleries. 

SF Camerawork builds upon the rich history between the medium and the natural world, displaying fresh perspectives.

Anna Mcneil’s practice is based upon narrative ambiguity. She was included in the 2017 Lynn Painters Stainer’s Prize Exhibition. 

Known for their unique use of light, Matthew Rolston’s images transcend their time periods, looking simultaneously backwards and forwards.

Wuales’ innovative approach to capturing the human form transforms the body in unexpected ways, offering new dialogues.

The NGV Triennial provides a platform for innovative practitioners, foregrounding those who engage with new technologies.

Dazera brings innovative fine jewellers together both online and in exhibitions. Founder Domini Hogg discusses the 2017 exhibition.

Marianna Rothen’s Shadows in Paradise explores notions of selfhood and the gaze in a utopian dreamworld.

Amélie Labourdette captures unfinished concrete structures, questioning notions of human history and territories.

Uniting a gap of 50 years, Magnum Print Room draws a portrait of America through the medium of monochromatic photography.

Luciana Pampalone’s black and white images evoke a sense of playful nostalgia, transforming The Peconic Bay, New York, into a 1930s setting.

Schweizerisches Architekturmuseum explores the rich architectural scene of Bangladesh, bringing together over 60 projects.

Hans Kotter’s sculptural investigations, on display at Patrick Heide Contemporary Art, explore notions of light, colour and space.