Audiovisual Immersion
Describing herself as a child of television, Pipilotti Rist incorporates the visual language of music videos into bold, immersive installations.
Describing herself as a child of television, Pipilotti Rist incorporates the visual language of music videos into bold, immersive installations.
The rising popularity of documentary reflects a burgeoning desire to make sense of the world. An exhibition examines the genre’s history.
Gina Soden’s haunting images of abandoned structures uncover forgotten narratives, breathing life into desolate architectural forms.
The Baltic Material Assemblies at RIBA tracks the changing architectural discourse of Estonia, Latvia and Lithuania.
In producing Somnyama Ngonyama, Zanele Muholi took a self-portrait every day, documenting the injustices she witnessed in her everyday life.
Melbourne Design Week provides an annual celebration of creativity and innovation, drawing links between practitioners and businesses.
Daniel Shea is the winner of the 12th edition of The Foam Paul Huf Award. The work reflects on the urban landscape of late capitalism.
Fondation Cartier pour l’Art Contemporain presents Freeing Architecture, the first major solo exhibition devoted to the work of Junya Ishigami.
For A Slight Shift at the Sous Les Etoiles Gallery, Paris, three artists employ manmade mediums to provide poetic interpretations of the landscape.
Bas Princen challenges how audiences perceive buildings in relation to their surroundings through a new exhibition at Vitra Design Museum.
For Marciano Art Foundation’s second artistic project, Icelandic artist Olafur Eliasson takes over the expansive Theater Gallery.
Seydou Keïta was a portrait photographer who found fame late in life. His archive, brought to light in the early 1990s, facilitated international recognition.
Conjuring a bygone spirit of Americana, Phil Donohue’s works reflect a sense of stippling anonymity and recession on Route 66.
Curatorial Activism: Towards an Ethics of Curating re-examines under-representation, questioning why there is still imbalance in the wider industry.
In an era of fake news, how can the individual decipher the true course of events? Exhibitions opening 10-11 March focus on narrative forms.
Italo Calvino’s Le città invisibili is the inspiration behind Invisible Cities: Architecture of the Line at Waddington Custot, London.
Marking the continued journey to establish gender equality, global and cultural institutions celebrate International Women’s Day.
The work of Irish photographer Julian D’Arcy is endowed with mesmerising formal qualities; each image transforms ordinary sites in golden planes.
National Gallery of Art, Washington, showcases the works of Sally Mann as she explores communicative landscapes and sombre subject matters.
