Androgynous Aesthetics: Interview with Brendan Jamison

For the past seven years the Northern Irish based artist, Brendan Jamison has amassed a significant body of work. Jamison appropriates diverse media including wax, wool, sugar cubes and pins.

Gloria Zein: I Can’t Stop the Dancing Chicken at Goethe Institut, London

German artist Gloria Zein was awarded the Cass Prize for Sculpture in 2011. I Can’t Stop the Dancing Chicken has been commissioned by the Goethe-Institut London to mark its reopening.

Abstract Typography: Michael Dean: Government

It is refreshing to encounter an exhibition, Michael Dean’s Government, with such a value-laden title that is concerned with the fundamental worth of the term rather than its party-political resonance.

Sara Greavu & Phil Hession: Titanic Toast, Golden Thread Gallery, Belfast

Of the many myths surrounding the Titanic’s legacy, one describes how Protestant dock workers in Belfast chalked NPH (No Pope Here) on the ship’s bow thus dooming its maiden voyage.

Dialogues With The Physical, The Space Between, Tate

NUC CYCLADIC (2010) is one of three pieces on display by Sarah Lucas, each a small sculpture stood atop two breeze blocks, which themselves stand upon an makeshift MDF plinth.

The Frozen Rollercoaster, The Tiger; Turtle: Magic Mountain

Designed by Heike Mutter and Ulrich Genth, The Tiger & Turle – Magic Mountain is the name of this imposing outdoor sculpture which opened last week in Duisburg Wanheim, Germany.

Bo Christian Larsson, Run To The Hills, Steinle Contemporary, Munich

Swedish artist, Bo Christian Larsson combines sculpture, video, and works on paper. Larsson’s previous exhibitions have featured a central work – often a large-scale installation or a performance.

Altea Grau Vidal: Marcant Paraules, Ards Arts Centre, Newtownards, Northern Ireland

The International Residency programme at Seacourt Print Workshop offers an artist the opportunity to work in a new environment and share their knowledge during a three-month stay.

Tactile & Sensory Exploration, Jaume Plensa, Yorkshire Sculpture Park

Jaume Plensa has had a good year; Echo, his first public art project in New York City was extended for an extra month, while in the UK, Chichester Cathedral announced Plensa’s winning proposal.

Japanese Modernism:Atsuko Tanaka: The Art of Connecting – Ikon, Birmingham.

Text by Matt Swain The Art of Connecting is the first solo exhibition in the UK by Atsuko Tanaka (1932-2005), one of Japan’s most renowned…

Urban Pagan – Kid Acne: Kill Your Darlings, Millennium Gallery, Sheffield.

Kill Your Darlings is Kid Acne’s (b.1978) first solo exhibition in Sheffield, where he has lived and works for the last 15 years. Kid Acne…

Heather Ross: Constants in Practice, Royal Scottish Academy, Edinburgh.

Review by Colin Herd In July 2010, the painter Heather Ross (b.1983) won the Alastair Salvesen Travel Scholarship, a funding opportunity aimed at young artists…

Inverting Preconceptions of Materials, Ideas and Craft: Jerwood Makers Open, JVA, London.

Review by Kara Magid, a candidate for the MA in Art History at Richmond, The American International University in London. Jerwood Makers Open is a…

My Hands are Tied: You Seem The Same Always, The Common Guild, Glasgow

Review by Alistair Q Vince Lombardi, the 1960s American Football coach once said “The price of success is hard work, dedication to the job at…

United by Difference: Michelangelo Pistoletto’s The Mirror of Judgement: Serpentine Gallery, London.

Review by Mallory Nanny, a candidate for the MA in Art History at Richmond the American International University in London. The Serpentine Gallery currently boasts…

The Simplicity of Existence: Daisy Boman: Encounter: Halcyon Gallery, New Bond Street.

Review by Sarah Richter, a candidate for the MA in Art History at Richmond the American International University in London. Daisy Boman’s second exhibition entitled…

The Secret Garden: Serpentine Gallery Pavilion 2011, Designed by Peter Zumthor, Hyde Park, London.

Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. Each year the Serpentine Gallery…

Fundamental Stages of Being: Presence, Absence, Kingsland Road Studio, London.

Review by Alex Tieghi-Walker Tucked underneath an ordinary yellow-bricked housing development, like so many now trailing the canal in East London, is a rather extraordinary…

Broadening Access to the Visual Arts: Q&A with Nathan Engelbrecht, Director of EB&Flow Gallery, London.

Interview by Bethany Rex EB&Flow opened this spring in Shoreditch with an aim to build long term relationships with artists from a formative stage in…

Degree Shows 2011: Aesthetica’s Round-Up

Our June/July issue has just hit the shelves, which covers the latest opening at the Guggenheim Bilbao, ArtAngel’s new commission at MIF and features Bruce…