Tom Price, Yorkshire Sculpture Park, Wakefield
A sculpture of a young man in casual dress holding and looking at a phone, Network (2012), will make its open-air premier at Yorkshire Sculpture Park as part of a solo exhibition by Tom Price.
A sculpture of a young man in casual dress holding and looking at a phone, Network (2012), will make its open-air premier at Yorkshire Sculpture Park as part of a solo exhibition by Tom Price.
There is still chance to get along to Matt Johnson’s second solo show at Alison Jacques Gallery before it closes 21 December. Working with recycled old-growth redwood, million-year-old granite and bronze, Johnson deals with the theme of time.
Celebrating the reopening of the Palais Galliera, the Musée d’Art moderne de la Ville de Paris presents a retrospective of fashion designer Azzedine Alaïa, uniting his most outstanding creations.
Chance plays a preponderant role in Didier Mencoboni’s latest works. His sculptures range from fluorescent, dangling mobiles to photographs confected from the dollops of paint stuck at the bottom of the artist’s sink.
Ikon Gallery will be rolling out the celebrations in 2014 as they mark 50 years of championing modern and contemporary art with a special series of events and exhibitions.
Mona Hatoum mentions that one the excitements of being an artist is not knowing where you will find a new exhibition. However, Reflection at the Parisian Chantal Crousel Gallery marks 20 years of their enduring collaboration.
Cardboard, metal and wire and other everyday objects play their role in creating the simple and functional displays of Zimoun’s (b.1977) new exhibition, Rotations, at the BACKLIT gallery until Tuesday 31 December.
Taking pride of place in the heart of the Hauser & Wirth Saville Rowe & Piccadilly galleries was the Onnassch collection of post-war American and European artists who shaped the history of art.
Artangel Open is inviting artists working in all media across the UK to submit bold, site-specific proposals that will transform and enrich the UK’s cultural landscape. Championing innovation and creativity is at the heart of this project.
In a new section of Art Projects, a pivotal component of the annual London Art Fair, a series of collaborations between emerging UK and international galleries is to take place.
Small islands of furniture and stylish arrangements of space form Italian designer, Martino Gamper’s (b.1971), first presentation in Scotland, running at The Modern Institute until 25 January.
Installed in one and a half days, Calder Shadows at Venus Over Manhattan is a remarkable experiment. 11 Alexander Calder mobiles occupy a darkened and otherwise empty exhibition space.
Jake and Dinos Chapman have a reputation as the bad boys of contemporary art with their anti-establishment rhetoric, searing critique of their peers and art which aims to offend every human being who comes into contact with it.
Currently housed within the top floor gallery of the Tate Liverpool, new exhibition Art Turning Left showcases an extensive collection of work relating to left-wing movements and ideology.
Thought Collision Factories is a collection of Oppenheim’s work tracking his sculptural development over 14 years between 1972 and 1986. His endeavour throughout his working life was to make ideas material.
Today is the last day to get along to Art Basel Miami Beach. This Art Basel show presents premier artwork from across the globe. Over 250 of the world’s leading galleries participate.
There’s still time to get along to Art Basel Miami Beach. As well as the stunning list of exhibitors, there are sectors allowing visitors to explore the many dimensions of Modern and contemporary art.
The second day of Art Basel Miami Beach is upon us and there are still hundreds of galleries to check out. Participants from Europe, North America, Latin America, Asia, and Africa make up the impressive list of exhibitors at this year’s event.
Classic art deco boulevards, long white beaches and a glitzy night life provide the backdrop to Art Basel Miami Beach. Art Basel, which began in 1970, is recognised as a premier international art fair.
Julian Schnabel’s confessed fear of death and suggestion that reality and truth may reside in things could account for the gigantic size and weight of the objects in The Brant Foundation Art Study Center exhibition Julian Schnabel.