The new issue, Beyond the Horizon, pays homage to the power of the individual, demonstrating how what makes us special is our ability to innovate.

Serge Alain Nitegeka’s practice engages with how manipulations of colour and volume influence the experience and understanding of space.

In 1960, a devastating earthquake destroyed much of the Moroccan city of Agadir. Yto Barrada addresses the process of reinvention .

Robert Irwin’s new immersive installation plays with notions of place by responding to the architectural forms of Sprüth Magers, Berlin‘s modernist gallery space. The exhibition…

Exhibitions running 20-21 January offer viewers the opportunity to reflect on the modern world, building platforms for introspection.

In an age of gratuitous image editing and fake news, it is hard to distinguish artificiality from reality. Alex Prager investigates this confusion.

Structures define the everyday human experience. The selection for 6-7 December examines the varied manifestations of the term.

A recently opened exhibition of Monika Sosnowska at Hauser & Wirth, London, titled Structural Exercises, examines underlying layers of buildings.

Straddling the physical and the digital, modern life is increasingly hard to pin down. Louisiana Museum of Modern Art explores what it means to be alive today.

Marguerite Humeau’s Echoes transfigure Tate Britain’s gallery space into a mesmerising yellow environment. that combines sound and sculpture.

Alex Da Corte’s BAD LAND transforms the architectural space of Josh Lilley Gallery, London, into a colourful three-dimensional film set.

Concertina is a collection of structures by Richard Wentworth and Apparata that explore the social potential of art spaces and transform the gallery.

SCOPE Miami Beach is recognised worldwide for its forward-thinking approach and focus on emerging practitioners and galleries. 

At YSP, Wakefield, the Underground Gallery and its external concourse are entirely re-characterised by Alfredo Jaar’s seminal installations.

28-29 October. This week’s selection explores the wider, experiential concept of space through a multitude of different mediums.

Throughout April, experimental practitioners spent two weeks living and practicing in Yorkshire Sculpture Park.

Nathan Coley’s The Same For Everyone is playful yet profound, foregrounding Danish values whilst evoking the beguiling lights of a fairground.

21-22 October. This week’s selections question realities and re-establish norms through photography, installation and new design.

The role of artists in representing contemporary conflict and the global response to 9/11 is examined at Imperial War Museum, London.

After a 20-month, £3.8 million redevelopment, Hatton Gallery, Newcastle, opens Pioneers of Pop, a show focusing on the work of Richard Hamilton.