The Real Guerrilla Girls, four mysterious photographs hang dramatically under spotlights in a room of their own, among the group show Narrative/Collaborative.

Future Now, the Aesthetica Art Prize Annual featuring this year’s longlisted and shortlisted artists, is out now. Inside this book, there are texts and images of projects from international practitioners.

Running from 5-8 May, Frieze New York celebrates its 25th anniversary at Randall’s Island Park, Manhattan, this year. Designed to be a celebration of both emerging and established artists, Frieze boasts the work of 200 galleries.

Lumière Brothers Centre for Photography holds an exhibition of Antanas Sutkus’ Nostalgia for bare feet, featuring more than one hundred works, many of which have never been shown before.

The Aesthetica Art Prize free lunchtime talks continue this Thursday from 12.30pm with Composing Time & Space, led by Dr Christina Kolaiti and Desmond Brett, York St John University.

Artists and industry figures travelled from locations such as Vienna, Germany, Scotland, Northern Ireland and across the UK to experience the show and hear the announcement of the winners.

Analogue NOW! returns to Berlin for its second year, from 6 – 14 May, offering a broad range of events. Photographers showcase their work around the theme of manipulation.

Running from 14 – 17 April, Art Cologne is the world’s oldest art fair for the showcase of contemporary art of the 20th and 21st century.

Gianluca Sodaro is an artist and film director. We speak to him about the processes behind his work and the human imagination.

FotoFest, the photography biennale in Houston, Texas, takes the theme of Changing Circumstances: Looking at the Future of the Planet for its 16th edition. The festival takes a fresh angle on climate change by focusing on what’s poetic, mysterious, wondrous and awe-inspiring about the natural world.

At times a celebration, other a mourning of British culture, Barbican launches Strange and Familiar, featuring photographs from foreign artists who visited Britain from the 1930s onwards.

Running alongside the Aesthetica Art Prize Exhibition is a dynamic series of lunchtime talks. Taking place at York St Mary’s, the talks are led by industry experts including curators and academics.

Cara Barer crafts a tangible record of the book as an object, resisting its encroaching obsolescence in the face of digital repositories of information.

Laurent Kronental’s Souvenir d’un Futur documents the lives of residents in the Grands Ensembles, the distinctive housing projects around Paris.

Pervading Joshua Jordan’s charismatic works are figures who observe and undermine the borders in which they exist.

Photo London spans decades, genres and use of both analogue and digital methods, showcasing an evolution of the artistic practice of photography.

Photographer Christopher Payne originally trained as an architect and has dedicated himself to the exploration of America’s industrial heritage.

Ellen Carey came of age artistically in the 80s, which was a decade in photography that saw radical innovation and a move away from merely representational and reportorial image-making.

The Other Art Fair Victoria House returns for its 11th edition. Presenting shows and performance pieces from a variety of celebrated artists, the fair invites visitors to explore a diverse range of art.

Though filling only two small rooms on South London Gallery’s first floor, Paul Maheke’s I Lost Track of the Swarm has scope far exceeding its confines. A ‘self-taught feminist’ with a particular interest in the pro-black and pro-sex movements, Maheke shies away from aligning his work with academia, preferring to think of it as poetical over theoretical. It is, nonetheless, both intellectually sophisticated and affectively powerful: the kind of output that can be felt and thought about with equal effect.