Art Cologne 2016 Edition
Running from 14 – 17 April, Art Cologne is the world’s oldest art fair for the showcase of contemporary art of the 20th and 21st century.
Running from 14 – 17 April, Art Cologne is the world’s oldest art fair for the showcase of contemporary art of the 20th and 21st century.
Gianluca Sodaro is an artist and film director. We speak to him about the processes behind his work and the human imagination.
FotoFest, the photography biennale in Houston, Texas, takes the theme of Changing Circumstances: Looking at the Future of the Planet for its 16th edition. The festival takes a fresh angle on climate change by focusing on what’s poetic, mysterious, wondrous and awe-inspiring about the natural world.
At times a celebration, other a mourning of British culture, Barbican launches Strange and Familiar, featuring photographs from foreign artists who visited Britain from the 1930s onwards.
Running alongside the Aesthetica Art Prize Exhibition is a dynamic series of lunchtime talks. Taking place at York St Mary’s, the talks are led by industry experts including curators and academics.
Cara Barer crafts a tangible record of the book as an object, resisting its encroaching obsolescence in the face of digital repositories of information.
Laurent Kronental’s Souvenir d’un Futur documents the lives of residents in the Grands Ensembles, the distinctive housing projects around Paris.
Pervading Joshua Jordan’s charismatic works are figures who observe and undermine the borders in which they exist.
Photo London spans decades, genres and use of both analogue and digital methods, showcasing an evolution of the artistic practice of photography.
Photographer Christopher Payne originally trained as an architect and has dedicated himself to the exploration of America’s industrial heritage.
Ellen Carey came of age artistically in the 80s, which was a decade in photography that saw radical innovation and a move away from merely representational and reportorial image-making.
The Other Art Fair Victoria House returns for its 11th edition. Presenting shows and performance pieces from a variety of celebrated artists, the fair invites visitors to explore a diverse range of art.
Though filling only two small rooms on South London Gallery’s first floor, Paul Maheke’s I Lost Track of the Swarm has scope far exceeding its confines. A ‘self-taught feminist’ with a particular interest in the pro-black and pro-sex movements, Maheke shies away from aligning his work with academia, preferring to think of it as poetical over theoretical. It is, nonetheless, both intellectually sophisticated and affectively powerful: the kind of output that can be felt and thought about with equal effect.
Belgian artist David Claerbout (b.1969) explores the conceptual impact of the passage of time through his use of video and digital photography. His oeuvre manipulates both moving and still imagery.
Tate hosts the first major exhibition to celebrate the spirited conversation between early photography and British art. It brings together photographs and paintings including Pre-Raphaelite, Aesthetic and British impressionist works.
This year sees the inaugural edition of the Aesthetica Art Prize Future Now Symposium – a new two-day event running on Thursday 26 May and Friday 27 May at York St John University as part of the annual Aesthetica Art Prize. The Future Now Symposium focuses on talent development, and tackle’s themes in today’s current artistic climate through lectures, workshops and panel discussions from within the arts ecosystem and broader social context.
John Baldessari’s recent works, created in the past year, examine the relationship between language and image, primarily through dislocation and the juxtaposing text and pictures at Sprueth Magers.
The Koppel Project, led by Gabriella Sonabend and Hannah Thorne is a creative hub bringing together a contemporary art gallery, project space, cafe and Phaidon pop-up bookshop. Located at 93 Baker Street, London, in a recently decommissioned Barclays Bank vault, the inaugural group exhibition currently on display – Pandiculate! The Joy of Stretching – sees the viewer delve deep into stage-set of unseen characters and absurd trophies amalgamated by tropes equally triggered by the viewer’s curiosity and physical demands of the architecture as commercial function of the bank is reallocated and adapts to becoming an exhibition space.
A platform for innovation and originality, the Aesthetica Art Prize Exhibition returns to York St Mary’s, 14 April – 29 May. To mark its 9th year, the award invites audiences to engage with some of today’s key cultural, social, political, environmental and economic themes through a selection of works by 10 shortlisted artists. There will also be talks and a new Symposium running alongside the exhibition.
