The 33rd edition of the annual ICP Infinity Awards will once again celebrate outstanding achievements in visual culture on 24 April.

The Glasgow School Of Art presents a retrospective of Franki Raffles, drawing on three main bodies of work from the Edinburgh-based photographer.

Making Heimat, Germany. Arrival Country, Atlas of Refugee Housing takes stock of the various types of housing available in German arrival cities.

New York’s Rubin Museum of Art presents Henri Cartier-Bresson: India in Full Frame, to coincide with the 70th anniversary of Magnum Photos.

Art Beijing, opening on 29 April, brings an energetic selection of regional and international exhibitors to the fore for its 12th consecutive exhibition.

Viviane Sassen’s Of Mud and Lotus engages in a conversation on transformation, procreation and fecundity at Stevenson Gallery in Johannesburg.

Currently on view at Edel Assanti, London, is Gordon Cheung’s Unknown Knowns, taking inspiration from Donald Rumsfeld’s theory of knowledge.

The work of British artist Gillian Wearing and French photographer Claude Cahun are displayed together for the first time at the National Portrait Gallery.

Excavating layers of urban developments and ruinous archaeological sites, Maeve Brennan’s The Drift (2017) traces shifting economies in contemporary Lebanon.

In The Centrifugal Soul, artist Mat Collishaw draws on various forms of illusion in a series of new sculpture, installation and paintings.

From Selfie to Self-Expression at Saatchi, London, asks questions about the changing notion of photography, portraiture and the digital era.

Hamiltons gallery, London, presents Roger Ballen’s most recent and highly anticipated body of work The Theatre of Apparitions for the first time as a series.

Joining the 33 onsite artists, a further 25 creatives take up the residency this April, promising to enhance the existing community and practices.

Robert Mapplethorpe breaks down the boundaries between life and art. His desire to achieve aesthetic perfection is a central part of this new retrospective.

Fondazione Sandretto Re Rebaudengo, Turin, presents a previously unseen collection of Hiroshi Sugimoto’s photography, highlighting time and space.

Stefan Brüggemann’s masterful wordplay and conceptual rigour coalesce to create a body of work that focuses on appropriation and displacement.

Inspired by Gustave Flaubert and Maxime du Camp’s journey through Egypt, Fouad Elkoury captures an essence of romanticism in Suite Egyptienne.

Since its founding 25 years ago, arteBA has established itself as one of the most important fairs in Argentina and a key industry meeting point.

As far as timely exhibitions go, Wolfgang Tillmans’ current exhibition at Tate Modern, London, is charged with the heartbeat of today’s news.

The Turner Prize is making some historic changes to its eligibility criteria. Tate reveals that the renowned award will now welcome artists of any age.