Poignant Histories
Uriel Orlow’s Theatrum Botanicum positions the natural world as a stage for politics, profoundly engaging with the impact of colonialism.
Uriel Orlow’s Theatrum Botanicum positions the natural world as a stage for politics, profoundly engaging with the impact of colonialism.
Finnish photographer Elina Brotherus combines her past with tropes from the history of art, forging personal and universal connections .
Jocelyn Lee’s portfolio of photographs offer intimate moments, presenting a subtle yet powerful statement about the female experience.
Francois Ollivier’s approach is based on wandering and accepting the impromptu, magnifying the most common things into the poignant or magnificent.
Formerly a cinema set painter, Lorenzo Vitturi’s photographic style in infused with performativity. Money Must be Made opens at Flowers Gallery.
Evora Africa is a celebration of African heritage, offering fresh perspectives on the modern world and the experiences of young people.
Offering a comprehensive overview of contemporary photography, a new exhibition presents images which depart from convention.
The 2018 Aesthetica Art Prize exhibition explores the effects of over-consumption, media stimulation and emotional disconnection in today’s world.
Pioneering photographer August Sander drew a nuanced sociological portrait of Germany’s inhabitants and surrounding urban landscapes.
This month’s new releases negotiate how senses and visceral appreciations are integral to the creation, purpose and perception of contemporary art.
The top picks for 7-8 April offer global dialogues, navigating international domains from China to Germany to examine a changing landscape.
Noémi Varga’s The Happiest Barrack recounts a personal tale of life and love within soviet Hungary. See it at as part of the Aesthetica Art Prize 2018.
A new publication by Hatje Cantz tracks the ongoing relationship between the swimming pool and photography.
The Marilyn Stafford FotoReportage Award has just announced an international call for submissions for female practitioners for its second annual prize.
Early fashion photographer Erwin Blumenfeld used experimental darkroom techniques to create unique and often uncanny images.
Noémie Goudal’s images combine staged structures with natural landscapes, questioning the boundaries between artificiality and reality.
Journeys at Australia House, London, showcases the sculptural work of Shona Nunan and Michael Francis Cartwright, along with their two sons.
A new exhibition at Yossi Milo Gallery foregrounds work by West-African portrait photographer Sanlé Sory.
Images by emerging fashion photographer Erik Madigan Heck feature a strong use of colour, pattern and form.
