Visual Memory
People and landscapes blend into each another in Stephanie O’Connor’s rich body of work, which examines themes of imagination and belonging.
People and landscapes blend into each another in Stephanie O’Connor’s rich body of work, which examines themes of imagination and belonging.
Greg White cites Berenice Abbott as inspiration for the Base Quantities still life series, visualising everything from electricity to mass and length.
The colour blue has long been associated with melancholy and sadness. Heather Evans Smith explores this feeling in a series of photographs.
Nature is the subject of choice for artist Sandra Bartocha, whose images traverse sun-dappled forests and meadows filled with rich plant life.
Nick Prideaux approaches taking pictures in a mindful way, catching fleeting and fragmented scenes as an ongoing thread of mini-vignettes.
Fresh lilacs are paired with zesty yellows, rich greens with blues and deep reds with tangerine orange in Teklan’s new interior design projects.
Anne Nobels presents a deeply personal set of photographs rooted in nature, that encourages viewers to open up to embracing vulnerability.
Dutch artist Popel Coumou builds 3D rooms by layering and positioning geometric shapes that are hand-cut out of paper and cardboard.
Leading designer Thomas Heatherwick looks back across 150 key projects, demonstrating the importance of hands-on collaborations.
Texture and reflection replace visual cues, as Luc Holper blurs the borderlines that usually separate recognisable and imaginary scenes.
Brendan George Ko’s portraits of friends, often bathed in light and shadow, meet high-quality, crisp close-up shots of foliage to set the scene.
Right now, Cao Fei is one of the biggest names in the art world. She is making multimedia work about technology and urban change in China.
Colour dances across onoko’s pages, forming complex, textured, impressionistic images that bleed into the paper like watercolour paintings.
Out in the landscape, Bootsy Holler harnesses the self-portraiture genre as a way to visualise and work through difficult, personal emotions.
A new architecture book shows what happens when we combine the human imagination with powerful digital tools to realise escapist ideas.
Fares Micue returns to Aesthetica with positivity and optimism, sharing a joyful outlook on life through a meticulous image-making process.
How do natural and artificial lights manipulate photo-sensitive media? Marta Djourina traces movements, gestures and objects onto paper.
A major exhibition at Tate Modern recounts how – in 1973 – Anthony McCall shook up the art world by stripping cinema back to its fundamentals.
Faces are obstructed and obscured by three dimensional shapes in Natalia Klimza’s body
of work, which plays with colours and forms.
