Francis Alÿs: A Story of Deception, MoMA, New York.
Francis Alÿs: A Story of Deception at The Museum of Modern Art and MoMA PS1 opens on 8 May, drawing upon MoMA’s unique and important…
Francis Alÿs: A Story of Deception at The Museum of Modern Art and MoMA PS1 opens on 8 May, drawing upon MoMA’s unique and important…
Review by Colin Herd The names of difficult-to-get-hold-of and in some cases discontinued-altogether photographic film have something of the poetry of a catalogue of obscure…
Review by Nathan Breeze Touring six major European culture halls, Liebestod was a cross-genre performance by the Amsterdam Sinfonietta exploring the interaction between Classical Music…
The UK Film industry has taken a few major blows recently. In the face of this, British films are being picked up by overseas film festivals: next stop, Tribeca.
Across the Atlantic there’s a strong tradition of road trip films, the bulk of the action based in or around the car and the endless dusty highway ahead.
Leap Year delivers an emotional and graphic examination of loneliness through the listless life of journalist Laura.
Bella is a beautifully shot film, and has a narrative that viewers will relate to, easy to watch because of its deep exploration of personal choice.
Slingshot follows a group of petty criminals or “tiradors” (in local slang), in a slum neighbourhood in Manila.
By turns sinister and tragic, Catfish makes use of the various social mediums and communications that replace face-to-face contact in the modern world.
When Alice is imprisoned in her own house by the psychotic David, it isn’t long before David develops a misguided relationship with his prisoner.
I’m Still Here is the directorial debut of Oscar-nominated actor Casey Affleck, a bizarre portrayal of a year in the life of acclaimed actor Joaquin Phoenix.
Birds Eye View’s Rachel Millward talks about how their popular film festival applauds the creativity and brilliance of women in film.
Marc Evans’ latest film, Patagonia, looks at the idea of homeland, history and belonging through a parallel narrative.
How to get your film out there: Elliot Grove, founder of Raindance Festival, offers top tips to help promote your film.
The results for the Aesthetica Short Film Competition 2010 have been announced. The finalists have their say on what it takes to make a great short and how that fits within the landscape of cinema today.
Elliot Grove, Founder of Raindance Film Festival, offers Ten Ways to help you Make Compelling Content.
Clio Barnard’s exploration of playwright, Andrea Dunbar’s life, combines reality with artifice in an exciting new creation.
The digital landscape has altered how and when we experience cinema. In 2010 the Abandon Normal Devices Festival opened to explore these junctures in more detail.
Undertow is Javier Fuentes-León’s first feature film. Having won the World Cinema Dramatic Audience Award at the Sundance Film Festival 2010, it opened in the UK in August 2010.
