Today sees the launch of Caroll/Fletcher’s new exhibition, Orange between orange and Orange by Michael Joaquin Grey. Running until 16 February, this show marks Grey’s first UK show since in 1992.
Nothing to declare? World maps of art since ’89, is the new documentary project scale exhibition devoted to the global processes of change in the art world since 1989 at Akademie der Künste.
For the final instalment of the Canary Wharf Screen, Art on the Underground collaborates with the BFI to screen a season of films showcasing unseen footage, restored film, and newer works.
Arnolfini presents Mikhail Karikis’ new film and sound installation SeaWomen, focussing on a vanishing community of elderly female sea workers living on the North Pacific island of Jeju.
Featuring three large-scale walking sculptures in the landscape and models, drawings and films in the Bothy Gallery, this exhibition at YSP is a timely showcase of James Capper’s career to date.
For those unfamiliar with the New Contemporaries premise, the exhibition contains a small selection of this year’s crop of British art school graduates, picked by a panel of previous New Contemporaries.
This January, the recipients of the Jerwood/Film and Video Umbrella Awards, Ed Atkins and Naheed Raza, premiere their ambitious new commissions at Jerwood Visual Arts, Jerwood Space, London.
Triumphantly harbouring the works of Beat Streuli’s latest show New Street, Birmingham’s Ikon has been transformed into an ensemble of diverted perception and indirect human observation.
The Shadow of a Doubt features seven works by Sandra Johnston. Their narrative offers a diverse means of observing, reflecting and responding to the specifics of place and circumstances.
Art Theatre Guild is an independent film company that radically transformed Japanese cinema by producing experimental and genre-shattering films from the 1960s until the 1980s.
To mark the Prix Italia, one of the most prestigious international competitions for radio, television and the web, Robert Wilson’s Ritratti is currently being exhibited at Turin’s Palazzo Madama.
Aesthetica Magazine – one of the most recognised and important art and culture publications both in the UK and internationally – celebrates its 10th anniversary with a spectacular 50th issue.
Our short film festival is a celebration and a launchpad for emerging filmmakers;
find out what happened at this year’s event, who the winners were and watch some of our films.
A look back at one of Britain’s most successful production companies, as it celebrates its 10th anniversary. Mark Herbert tells us more about what it takes to move ahead in the industry.
Taking place across London at Riverside Studios, Ciné lumière, and Prince Charles Cinema, Nordic Film Festival aims to celebrate the best in regional filmmaking, both past and present.
The world is always in need of a good story, and one of the most popular ways to digest stories is via film. In acknowledgement of this, ÉCU searches to uncover talented story tellers.
It’s been just over a week since ASFF closed, hosting its annual Closing Night and Awards Ceremony at which The Sugar Bowl took Best of Fest and Hollow scooped up the People’s Choice award.
Inside Chanel, is a retrospective website that is dedicated to rediscovering the history of Chanel. Featuring a timeline of Chanel’s development, the site’s latest release is a glamorous short film.
Taking 200 short films from over 25 different countries, the ASFF is set to launch tomorrow. Aesthetica speaks to the directors and writers of The Sugar Bowl, Shasha Nakhai and Rich Williamson.
