With 29 days to go until the Aesthetica Art Prize call for entries closes, we shine a spotlight on Bangkok-based artist and designer Sanitas Pradittasnee’s longlisted sculpture KHOA MO (Mythical Escapism).
Arifa Akbar is Literary Editor of The Independent and inewspapers. She was a judge for the Orwell Prize in 2013, the Fiction Uncovered Prize in 2014 and is on the judging panel for the current Aesthetica Creative Writing Award.
Pushkin’s Fold is the first solo show by artist Pushkin. Based in Norwich for the past 11 years, his exhibition at Fairhurst Gallery is his first venture into focusing and dedicating all his time to his art.
Artist John Keane, winner of the Aesthetica Art Prize in 2015, joins the judging panel for next year’s award. We continue the countdown to 31 August with a look at Keane’s practice.
There is one month to go until the annual Aesthetica Art Prize call for entries closes. Shortlisted artists will participate in a group exhibition in partnership with York Museums Trust and receive editorial coverage in Aesthetica.
Dutch photographer Ellen Kooi’s theatrical images challenge assumed perceptions of the world and transform bleak landscapes into dramatic stories.
Photographer Laurent Chehere records urban and residential spaces, tracing the city streets using both reportage and conceptual imagery.
Gemeentemuseum Den Haag presents a sumptuous celebration of Dutch fashion, exploring the cultural context that fostered enterprising designs.
New Museum in New York presents the first major retrospective of the artist Sarah Charlesworth, whose work explores mass media saturation.
Ryan Schude’s theatrical tableaux relate the minutiae of suburban life, fusing fairytale Gothic with a lurid technicolour pop sensibility.
Man, machine and science: MUDAM Luxembourg presents a reappraisal of the continuing relationship between the arts and science.
Pastel chevrons divide sparse, sun-bleached compositions in self-taught photographer Matthieu Venot’s architectural vistas.
Fondazione Bevilacqua La Masa, Venice, presents an exhibition by Peter Doig in the Palazzetto Tito. The show features new paintings and several intimately scaled works drawing on found sources.
An exhibition of new work by Yto Barrada at Pace, London, delving into her research on Moroccan fossils and dinosaurs, and exploring notions of imprint, trace and the status of archives.
Carolina Redondo looks to her origins in the Chilean Pucón for inspiration in her performative practice. We speak to the artist about her use of the body to explore migration and interculturality.
Tate Modern presents the first retrospective of Agnes Martin’s work since 1994, tracing her development from biomorphic abstraction to her mesmerising grid and striped canvases.
The UK’s largest annual visual art festival combines work from Edinburgh’s most prestigious galleries as well as artist-run spaces, and new commissions from emerging and established artists.
Taking its title from a line in a Robert Frost poem, America Is Hard To See at the Whitney Museum Of American Art considers more than a century of modern American art in its social context.
Australian artist Julian Day creates simple but evocative works encompassing installation, video, sound, text and performance. His piece Requiem was exhibited as part of the Aesthetica Art Prize 2015 showcase at York St Mary’s.
